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REPERTORIO ESPAÑOL ANNOUNCES THE PREMIERE OF “LA CELESTINA” THE TRAGICOMEDY OF CALISTO AND MELIBEA. A NEW ADAPTATION BASED ON FERNANDO DE ROJAS’ GOLDEN AGE MASTERPIECE.

“LA CELESTINA” begins previews on Friday, February 8th and premieres on Tuesday, February 12th, 2019 at Repertorio Español’s historic Gramercy Arts Theater located at 138 East 27th Street in Manhattan, New York.

The play is adapted and directed by Leyma López. The cast includes Zulema Clares as La Celestina, Gonzalo Trigueros as Calisto, Carmen Borla as Melibea, Gerardo Gudiño, Maria Cotto, Gilberto Gabriel Díaz as well as Imanol Fuentes, Sandra Gumuzzio and Mario Peguero making their company debuts.

Repertorio Español is proud to announce the premiere of Fernando de Rojas’ “LA CELESTINA” the historic first novel/play (a novel which is written in dialogue form) in Spanish literature adapted and directed by the Company’s Resident Director, Leyma López. The tragicomedy of Calisto and Melibea originally published in 16 acts in 1499 during a period of conflict, change, and ultimately, disharmony in Spain—one that the great scholar Américo Castro dubbed “the conflictive age.”

ABOUT THE PLAY
La Celestina is the tale based on same source material as “Romeo and Juliet” of a passionate love affair that ends in tragedy. Calisto, a young nobleman enters the garden of Pleberio in pursuit of his falcon. There he sees Pleberio’s daughter, Melibea, and falls madly in love with her, and enlists “La Celestina” to help seduce her.

Performed in Spanish with English Supertitles.

PREVIEWS
Friday, February 8, 2019 8:00 PM
Saturday, February 9, 2019 8:00 PM
Sunday, February 10, 2019 3:00 PM

OPENING NIGHT: Tuesday, February 12, 2019 7:00 PM

PERFORMANCES:
Wednesday, February 13, 2019 11:00 AM
Friday, February 15, 2019 08:00 PM
Saturday, February 16, 2019 03:00 PM
Friday, February 22, 2019 11:00 AM
Friday, February 22, 2019 08:00 PM
Friday, March 1, 2019 08:00 PM
Sunday, March 31, 2019 03:00 PM
Friday, April 5, 2019 11:00 AM
Friday, April 12, 2019 08:00 PM
Friday, May 3, 2019 11:00 AM
Friday, May 10, 2019 08:00 PM
More performances to be announced through 2019 & 2020.

FERNANDO DE ROJAS – PLAYWRIGHT
Fernando de Rojas (d. 1541), the author of “La Celestina”, was born in the fifteenth century in Puebla de Montalban near Toledo, Spain. “La Celestina” is the only book that Rojas ever wrote, and few details of his life have ever come to light. What is known is that he was a lawyer by trade, educated at the prestigious University of Salamanca and that he belonged to a noble family of Conversos, or Jews who adopted Christianity. The genesis of “La Celestina” also carries with it an air of mystery. According to Rojas, he came across the first act, entitled The Comedy of Calisto and Melibea, while in Salamanca. This first act had supposedly been penned by an anonymous author. Rojas found himself so enchanted with the work that he decided to expand and complete it during a two-week vacation from practicing law. From the nucleus first act was born a novel in dialogue from about two young lovers from different backgrounds who take a popular ideal of love in Rojas’s era to an extreme that bears tragic consequences for themselves and those around them.

LEYMA LÓPEZ – DIRECTOR
Born in San José de las Lajas in La Habana, Cuba. From 2001 to 2005 she went to school for direction and acting in the School of the Arts in San Antonio de los Baños, Cuba and in 2009 received her degree in Acting and The Arts from The Superior Institute of La Habana. López was the founder and director of Rompecalles in 2007, a theatrical project focused on investigating classic text. In this project, she created adaptation of “Fedra” and “Asamblea de mujeres” (The Assembly of Women), two big stories in Greek mythology, which won the award of Festival Olga Alonso and the Municipal of San José de las Lajas award for Best Play.

López is presently Resident Director of Repertorio Español. She was the recipient of the Van Lier Award for Young Directors in 2012. At Repertorio Español she directed: “Por Gusto” (For Pleasure), “El Loco por Fuerza” (Insane by Force), “Hierba mala nunca muere” (Weeds Won’t Die), “Aire Frío” (Cool Air), “La Fiaca”, “Valor, agravio y mujer” (Courage, Betrayal, and a Woman Scorned) and a series of readings highlighting the works of 17th Century women playwrights. She has received various nominations and awards for ATI, ACE and HOLA.

TICKETS >

GENERAL INFORMATION
Phone: 1-212.225.9999 | Website: repertorio.nyc

138 East 27th Street, New York, NY 10016
(Between Lexington and Third Avenues. Subway: # 6 to 23rd Street, W or R to 28th Street)
Monday 8:00am-6pm | Tuesday – Friday 8am-8pm|Saturday 10am-8pm | Sunday 10am-7:00pm

Discounts available for seniors, military and students with valid identification.

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2017 HOLA Awards – Excellence in New York Latino Theater Awardees Announced

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The Hispanic Organization of Latin Actors (HOLA), the nation’s longest running active arts advocacy organization for Latino actors, has announced its latest class of HOLA Award recipients for 2017, the awards ceremony’s 18th year.

The HOLA Awards will take place on Monday, October 16, 2017 at 6pm at the Flamboyán Theater, at The Clemente Soto Vélez Cultural and Educational Center, located at 107 Suffolk Street, between Rivington and Delancey streets, in lower Manhattan, NYC.

Repertorio’s winners of this year are:

OUTSTANDING PERFORMANCE BY A MALE ACTOR
Rafael BeatoLa canción

Michael Palma Mir for Repertorio La Cancion 100


 

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR
Zulema ClaresEn el nombre de Salomé

Michael Palma Mir Repertorio Salome 002


OUTSTANDING PERFORMANCE BY A VISITING MALE ACTOR
Francisco GattornoLa fiaca

LA FIACA - REPERTORIO ESPANOL-11


OUTSTANDING PERFORMANCE BY AN ENSEMBLE CAST
Maité BonillaZulema ClaresDalia DaviDarlenis Durán,
Hannia GuillénJesús E. Martínez, Francis MateoDiana Pou,
Johary Ramos
Jerry SotoFermín SuárezEn el nombre de Salomé

Michael Palma Mir Repertorio Julia Alvarez Opening 066


OUTSTANDING ACHIEVEMENT IN PLAYWRITING
Marco Antonio RodríguezEn el nombre de Salomé

Michael Palma Mir Repertorio Julia Alvarez Opening 065


OUTSTANDING ACHIEVEMENT IN DIRECTING
Leyma LópezLa fiaca

LA FIACA - REPERTORIO ESPANOL-39


GILBERTO ZALDÍVAR HOLA AWARD FOR OUTSTANDING MUSICAL

La canción (Repertorio Español)

Michael Palma Mir for Repertorio La Cancion 103


GILBERTO ZALDÍVAR HOLA AWARD FOR OUTSTANDING PLAY

Blind Spot

Michael Palma Mir for Repertorio Blind Spot 033

 

En el nombre de Salomé

Michael Palma Mir Repertorio Salome 089

 

All photos by Michael Palma except photo from cover by A Ruiz Photography.

 

 

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World Premiere by Nilo Cruz to Headline Repertorio Español’s 50th Season

“Exquisita agonía” (Exquisite Agony) by Nilo Cruz

About REPERTORIO’s 50th season, Robert Federico notes, “We will highlight the foremost writers representing Latin America and the U.S.: Nobel Prize winner Gabriel García Márquez and Pulitzer Prize winner Nilo Cruz. Our company has already presented three productions by each writer, so it felt like a natural fit for the occasion. And as REPERTORIO’s very first play in 1968 was Calderón’s LA DAMA DUENDE (The Phantom Lady), it feels appropriate to bring back to the stage the virtually unknown women playwrights of the 17th century, “phantom playwrights,” if you will. Through these various works, we honor past traditions and add to the rich tapestry of New York Theater.”

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lady-with-a-fan“Valor, agravio y mujer” (Courage, Betrayal and a Woman) By Ana Caro Mallén de Soto

Gabriel Garcia Marquez“El coronel no tiene quién le escriba” (No One Writes to the Colonel) Based on Gabriel García Márquez’s novel and Directed by Jorge Alí Triana

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Repertorio Español To Receive Rockefeller Brothers Fund

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We are grateful and excited!

Repertorio Español is the recipient of the Rockefeller Brothers Fund! This grant will provide $150,000 to Repertorio with the ends of expanding our vision of making great quality theater in  New York.

With the funds provided by the organization, Repertorio will open three new productions for the 2017 and 2018 fiscal years. Among the plays planned include an adaptation of Gabriel García Marquez’s “No One Writes to the Colonel,” a new play by Nilo Cruz, and an American premiere of a classical play written by a woman playwright of the 17th Century to be directed by a woman of today!

About the Rockefeller Brothers Fund

Founded in 1940 by the sons of John D. Rockefeller, Jr., the Rockefeller Brothers Fund (RBF) advances social change that contributes to a more just, sustainable, and peaceful world. The RBF’s grantmaking is organized around three themes: Democratic Practice, Peacebuilding, and Sustainable Development. Though the Fund pursues its three program interests in a variety of geographic contexts, it has identified several specific locations on which to concentrate cross-programmatic attention. The Fund refers to these as “RBF pivotal places”: subnational areas, nation-states, or cross-border regions that have special importance with regard to the Fund’s substantive concerns and whose future will have disproportionate significance for the future of a surrounding region, an ecosystem, or the world. The Fund currently works in two pivotal places: Southern China and the Western Balkans. The Charles E. Culpeper Arts & Culture program, focused on New York, nurtures a vibrant and inclusive arts community in the Fund’s home city.

For more information visit, http://www.rbf.org/

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A Letter to Repertorio…

Theatre is definitely a labor of love. At Repertorio we work very hard to make every single production an amazing experience for our audience. It’s especially challenging when our plays are based on historical events as is En el tiempo de la mariposas.

Recently we received a letter from one of our audience members who came to watch En el tiempo de la mariposas with his wife and wanted to express his thoughts on the show. We couldn’t be more moved by the letter so we decided to share it with all our followers.

 “After taking my wife to see the Saturday matinee performance of En el Tiempo de las Mariposas, I felt I needed to write this letter to comment on this magnificent and highly accurate representation of this important even in Dominican history.

This was the first time I had even seen a play totally in Spanish and it was a wonderful learning experience for me. I was able to understand the dialogue since I was already familiar with the events that had transpired.

For my wife, the show was personal. As a young child growing up in Salcedo, my wife would spend time at the Mirabal house where the sisters would play with her (she is a distant cousin). This show brought back many fond memories of the wonderful times my wife spend with the Mirabal family as well as the painful memories of the tragic events that later followed. Three years ago, she returned to Salcedo to visit the Museum that was created to keep the sisters’ memory alive and had the opportunity to speak with Dede. It was quite an emotional time.

Thank you for presenting such a quality performance at your Repertorio Theater.”

To the author of the letter: we are extremely grateful for your kind words and taking the initiative to tell us about your experience. The play is definitely unique in the story it tells and we worked hard to make sure that everyone that sees it can see the passion that was put into its creation.  We hope you come back soon!

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PHOTOS: “Señorita 744890” rehearsal pictures

Last week we heard from Mariana Carreño King on the writing process behind Señorita 744890. Now we’re giving you an exclusive look at the rehearsals for this new production.

Check out some of Michael Palma’s behind the scenes pictures as the actors and crew prepare for the premiere of Señorita 744890 this Friday, February 5th at 8:00 pm.

Michael Palma for Repertorio Senorita Rehearal Camerino

Director Daniel Jáquez with Inés del Castillo

Michael Palma for Repertorio Senorita Rehearsal Camerino 2

Director Daniel Jáquez with assistant director Cristina Viesca and Inés del Castillo

Michael Palma for Repertorio Senorita Rehearal 6

Bobby Plasencia and Zulema Clares

Michael Palma for Repertorio Senorita Rehearal 3

Bobby Plasencia and director Daniel Jáquez

Michael Palma for Repertorio Senorita Rehearal 4

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