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REPERTORIO ESPAÑOL ANNOUNCES THE PREMIERE OF “LA CELESTINA” THE TRAGICOMEDY OF CALISTO AND MELIBEA. A NEW ADAPTATION BASED ON FERNANDO DE ROJAS’ GOLDEN AGE MASTERPIECE.

“LA CELESTINA” begins previews on Friday, February 8th and premieres on Tuesday, February 12th, 2019 at Repertorio Español’s historic Gramercy Arts Theater located at 138 East 27th Street in Manhattan, New York.

The play is adapted and directed by Leyma López. The cast includes Zulema Clares as La Celestina, Gonzalo Trigueros as Calisto, Carmen Borla as Melibea, Gerardo Gudiño, Maria Cotto, Gilberto Gabriel Díaz as well as Imanol Fuentes, Sandra Gumuzzio and Mario Peguero making their company debuts.

Repertorio Español is proud to announce the premiere of Fernando de Rojas’ “LA CELESTINA” the historic first novel/play (a novel which is written in dialogue form) in Spanish literature adapted and directed by the Company’s Resident Director, Leyma López. The tragicomedy of Calisto and Melibea originally published in 16 acts in 1499 during a period of conflict, change, and ultimately, disharmony in Spain—one that the great scholar Américo Castro dubbed “the conflictive age.”

ABOUT THE PLAY
La Celestina is the tale based on same source material as “Romeo and Juliet” of a passionate love affair that ends in tragedy. Calisto, a young nobleman enters the garden of Pleberio in pursuit of his falcon. There he sees Pleberio’s daughter, Melibea, and falls madly in love with her, and enlists “La Celestina” to help seduce her.

Performed in Spanish with English Supertitles.

PREVIEWS
Friday, February 8, 2019 8:00 PM
Saturday, February 9, 2019 8:00 PM
Sunday, February 10, 2019 3:00 PM

OPENING NIGHT: Tuesday, February 12, 2019 7:00 PM

PERFORMANCES:
Wednesday, February 13, 2019 11:00 AM
Friday, February 15, 2019 08:00 PM
Saturday, February 16, 2019 03:00 PM
Friday, February 22, 2019 11:00 AM
Friday, February 22, 2019 08:00 PM
Friday, March 1, 2019 08:00 PM
Sunday, March 31, 2019 03:00 PM
Friday, April 5, 2019 11:00 AM
Friday, April 12, 2019 08:00 PM
Friday, May 3, 2019 11:00 AM
Friday, May 10, 2019 08:00 PM
More performances to be announced through 2019 & 2020.

FERNANDO DE ROJAS – PLAYWRIGHT
Fernando de Rojas (d. 1541), the author of “La Celestina”, was born in the fifteenth century in Puebla de Montalban near Toledo, Spain. “La Celestina” is the only book that Rojas ever wrote, and few details of his life have ever come to light. What is known is that he was a lawyer by trade, educated at the prestigious University of Salamanca and that he belonged to a noble family of Conversos, or Jews who adopted Christianity. The genesis of “La Celestina” also carries with it an air of mystery. According to Rojas, he came across the first act, entitled The Comedy of Calisto and Melibea, while in Salamanca. This first act had supposedly been penned by an anonymous author. Rojas found himself so enchanted with the work that he decided to expand and complete it during a two-week vacation from practicing law. From the nucleus first act was born a novel in dialogue from about two young lovers from different backgrounds who take a popular ideal of love in Rojas’s era to an extreme that bears tragic consequences for themselves and those around them.

LEYMA LÓPEZ – DIRECTOR
Born in San José de las Lajas in La Habana, Cuba. From 2001 to 2005 she went to school for direction and acting in the School of the Arts in San Antonio de los Baños, Cuba and in 2009 received her degree in Acting and The Arts from The Superior Institute of La Habana. López was the founder and director of Rompecalles in 2007, a theatrical project focused on investigating classic text. In this project, she created adaptation of “Fedra” and “Asamblea de mujeres” (The Assembly of Women), two big stories in Greek mythology, which won the award of Festival Olga Alonso and the Municipal of San José de las Lajas award for Best Play.

López is presently Resident Director of Repertorio Español. She was the recipient of the Van Lier Award for Young Directors in 2012. At Repertorio Español she directed: “Por Gusto” (For Pleasure), “El Loco por Fuerza” (Insane by Force), “Hierba mala nunca muere” (Weeds Won’t Die), “Aire Frío” (Cool Air), “La Fiaca”, “Valor, agravio y mujer” (Courage, Betrayal, and a Woman Scorned) and a series of readings highlighting the works of 17th Century women playwrights. She has received various nominations and awards for ATI, ACE and HOLA.

TICKETS >

GENERAL INFORMATION
Phone: 1-212.225.9999 | Website: repertorio.nyc

138 East 27th Street, New York, NY 10016
(Between Lexington and Third Avenues. Subway: # 6 to 23rd Street, W or R to 28th Street)
Monday 8:00am-6pm | Tuesday – Friday 8am-8pm|Saturday 10am-8pm | Sunday 10am-7:00pm

Discounts available for seniors, military and students with valid identification.

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REPERTORIO ESPAÑOL PRESENTS THE WORLD PREMIERE OF PULITZER PRIZE WINNING PLAYWRIGHT NILO CRUZ’S “EXQUISITA AGONÍA” (EXQUISITE AGONY).

Photo by Matt Pilsner

“Exquisite Agony” begins previews on Friday, May 25th and premieres on Wednesday, May 30th, 2018 at Repertorio Español’s historic Gramercy Arts Theater located at 138 East 27th Street in Manhattan, New York.

 The play will be directed by José Zayas. The cast includes Luz Nicolas, Germán Jaramillo, Gilberto Díaz, Pedro de León, Soraya Padrao, and Gonzalo Trigueros.

Repertorio Español announces the World Premiere in Spanish of Nilo Cruz’s “Exquisita agonía” (Exquisite Agony). This is Repertorio’s fourth premiere of a play by Nilo Cruz. The Company has proudly produced the World Premiere in Spanish of his Pulitzer Prize winning play “Anna in The Tropics” in 2004, and the World Premieres in Spanish of “Lorca in a Green Dress” in 2006 and “The Color of Desire” in 2011.

The New York Times raved about Repertorio’s production of “Anna in the Tropics” stating that “[the play] has found its natural language in Repertorio Español’s new production… It sounds and feels like a very different play in Spanish from the ‘Anna in the Tropics’ in English…its lyrical, poetic flights seem much more at home.”

PREVIEWS:

Friday, May 25, 2018 8:00 PM

Saturday, May 26, 2018 8:00 PM

Sunday, May 27, 2018 3:00 PM

Monday, May 28, 2018 3:00 PM

Tuesday, May 29, 2018 7:00 PM

 

OPENING NIGHT:

Wednesday, May 30, 2018 7:00 PM

 

PERFORMANCES:

Thursday, May 31, 2018 7:00 PM

Saturday, June 2, 2018 8:00 PM

Sunday, June 3, 2018 3:00 PM

Saturday, June 9, 2018 8:00 PM

Sunday, June 10, 2018 3:00 PM

Friday, June 15, 2018 8:00 PM

Sunday, June 24, 2018 3:00 PM

Saturday, June 30, 2018 8:00 PM

Friday, July 6, 2018 8:00 PM

Sunday, July 15, 2018 3:00 PM

Saturday, July 21, 2018 8:00 PM

Friday, July 27, 2018 8:00 PM

Friday, August 3, 2018 8:00 PM

Sunday, August 12, 2018 3:00 PM

Thursday, August 16, 2018 7:00 PM

Saturday, August 25, 2018 8:00 PM

 

More performances to be announced through 2018 & 2019

Performed in Spanish with English Subtitles. 

ABOUT THE PLAY

Exquisite Agony is a delicate but relentless story, which explores a middle-aged woman’s obsessive quest to find fragments of love in a young man who has received the gift of life when he receives a new heart. A moving play of great warmth about the survival of a modern family who must confront the past in order to move forward.

NILO CRUZ – PLAYWRIGHT

Nilo Cruz is a Cuban-American playwright whose work has been produced widely around the United States and Europe. His plays have been seen at McCarter Theatre, New York’s Shakespeare Festival’s Public Theatre, Manhattan Theatre Club, Arena Stage, Victory Gardens, Repertorio Español, South Coast Rep., Arena Stage, Mark Taper Forum, Victory Gardens, New York Theatre Workshop, Magic Theatre, Minneapolis Children’s Theatre, Oregon Shakespeare Festival, Florida Stage and many others.  Internationally, his plays have been produced in Canada, England, France, Australia, Germany, Belarus, Costa Rica, Colombia, Panama, Japan, Russia, and in many cities throughout Spain.  In 2003 he won the Pulitzer Prize and the Steinberg Award for Drama for his play “Anna in the Tropics” and was nominated for a Tony award.  In 2009 he won The Helen Merrill and The Laura Pels Mid-Career Playwriting Award as well as the Fontanals-Cisneros USA Fellowship in literature. Cruz is a frequent collaborator with noted composer Gabriela Lena Frank.  He recently wrote a set of orchestral songs, “La Centinela y la paloma” (The Keeper and the Dove), for Dawn Upshaw and the St. Paul Chamber Orchestra, which was conducted by Joana Carneiro.  His monologue Farhad and the Secret of Being, composed by Jim Bauer, was performed as part of the New Voices Musical Festival.  He taught playwriting at University of Iowa, Brown University, NYU Gallatin School and Yale University.

JOSÉ ZAYAS- DIRECTOR

Resident Director Zayas began working with Repertorio in 2004 when he was selected as a fellow of the Van Lier Young Directors Project. Ever since, he has directed seven productions for the company and was named Resident Director in 2013. His production of Caridad Svich’s “The House of the Spirits”, based on Isabel Allende’s novel, at Repertorio Español, won multiple ACE and HOLA awards, including best production and director. Other credits with Repertorio include “Madre, el drama padre”; “Letters to a Mother”; “Nowhere on the Border”; “No Better Friend”, “No Worse Enemy”; “In the Time of the Butterflies”; “Love in the Time of Cholera”, “Aunt Julia and the Scriptwriter”, “Burudanga”, “In the name of Salomé” and “Blind Spot”. Outside of Repertorio Español Zayas has participated as director and assistant for a number of productions.

This project was made possible with the support from the Rockefeller Brothers Fund as part of Repertorio’s 50th Anniversary.

 

TICKETS AND GENERAL INFORMATION >

By phone: 1-212.225.9999 | Online: repertorio.nyc

In person: 138 East 27th Street, New York, NY 10016

(Between Lexington and Third Avenues. Subway: # 6, N or R to 28th Street)

Monday 8:00am-6pm| Tuesday – Friday 8am-8pm|Saturday 10am-8pm|Sunday 10am-7:00pm

Tickets start at $17

Discounts available for people over 60 years of age and students with valid identification.

 

ABOUT REPERTORIO ESPAÑOL

Founded in 1968 by stage director René Buch and the late producer Gilberto Zaldívar, and joined by Robert Weber Federico in 1971, who now serves as Executive Producer, REPERTORIO has presented an unparalleled body of theater that promotes and divulges the rich heritage of Hispanic theater. Spanish masters like Calderón, Lope de Vega and García Lorca, renowned playwrights from Latin America and the growing body of American writers who capture the Latino experience in the U.S.—from Portland, LA, NYC, Washington DC, Texas, Washington Heights, Denver and Chicago– are all at home in REPERTORIO’s programming. As well, the company has presented acclaimed translations of plays by Edward Albee, Shakespeare, Tennessee Williams, Gian Carlo Menotti and Noel Coward.

The Company presents a rotating repertory of 13 different plays, musicals and dance concerts in over 300 performances every year. Its productions are seen by over 50,000 people annually at its home, the historic Gramercy Arts Theatre and on tour. Every year, approximately 20,000 students are introduced to the heritage of Spanish language theatre through its education program, ¡DIGNIDAD!

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REPERTORIO ANNOUNCES AN ADAPTATION OF NOBEL PRIZE WINNER GABRIEL GARCÍA MÁRQUEZ “EL CORONEL NO TIENE QUIEN LE ESCRIBA”

German Jaramillo and Zulema Clares
(No One Writes to the Colonel)
Gabriel Garcia Marquez

Adapted by Jorge Alí Triana & Verónica Triana
Directed by Jorge Alí Triana

A new play directed by the renowned Colombian Director Jorge Alí Triana, starring Germán Jaramillo and Zulema Clares. The production marks the second work of Repertorio Español’s 50th Anniversary Season. Previews begin on February 23rd and the premiere will take place on Tuesday, February 27, 2018 (full performance schedule follows.)

Performances
Friday, February 23, 2018, 11:00 AM
Friday, February 23, 2018, 8:00 PM
Saturday, February 24, 2018, 3:00 PM
Saturday, February 24, 2018, 8:00 PM
Sunday, February 25, 2018, 3:00 PM
Tuesday, February 27, 2018, 7:00 PM

MORE DATES >

Performed in Spanish with English Subtitles.

ABOUT THE PLAY

The story covers a few months in the life of a colonel whose pension, delayed 15 years by an overwhelming bureaucracy, becomes an obsession. Reduced to penury despite his veteran status, the protagonist and his wife live in anticipation of his pay. But every Friday the only apparent contact with the outside world comes and goes with the same declaration from the postmaster, “Nothing for the colonel. No one writes to the colonel.

For tickets >

GABRIEL GARCÍA MÁRQUEZ – PLAYWRIGHT

Born in 1928 in Aracataca, Colombia, he attended the National University of Bogotá and the University of Cartagena where he studied law. Turning to journalism in 1950, he began writing for the Colombian periodical El Espectador. He would go on to write non-fiction first in 1955 with The Story of a Shipwrecked Sailor. That same year, he published his first fiction novel, Leaf Storm.  Moving to Mexico City in 1958, he wrote his masterpiece One Hundred Years of Solitude, published in 1967 – sending him on a journey that would culminate in being awarded the Nobel Prize for Literature in 1987. Though his novels and short stories are numerous, some of them include: “No One Writes to the Colonel”, “Innocent Erendira”, “Autumn of the Patriarch”, “Love in the Time of Cholera”, “The General in His Labyrinth”, “Strange Pilgrims”, “Love and Other Demons”, “News of a Kidnapping” and  “Chronicle of a Death Foretold”.


 

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JORGE ALÍ TRIANA – DIRECTOR

Born in Colombia and is one of Latin America’s most successful film and theater directors. In New York and for Repertorio Español, Triana has garnered great accolades for his successful stagings of novels from Latin America’s master authors. In 2008 he directed Jorge Amado’s “Doña Flor and Her Two Husbands” for which El Diario expressed “Much was expected of this production and Triana (the director) and the cast have surpassed these expectations… they’ve given us – from beginning to end — a sensual feast and a joyful celebration for all of us to enjoy.” In 2003, Triana adapted and directed Mario Vargas Llosa’s “The Feast of the Goat” for which Bruce Weber from The New York Times stated that “the show makes eerily atmospheric pageantry…and vivid the wages of despotism, for a nation and for a man.” In 1999 Triana directed Gabriel García Márquez “Chronicle of a Death Foretold,” which The Village Voice called “Hypnotizing” and “Poetic.” Previously at Repertorio he directed “The Innocent Eréndira” also by García Márquez and “And the Carnival Erupted” an original play which Howard Kissel for the New York Daily News, declared that was “staged with marvelous theatricality and skill.” Other theater credits include “Romeo and Juliet” and “Richard III” by Shakespeare; “Fuenteovejuna” by Lope de Vega and “Death of a salesman” by Arthur Miller. Triana has collaborated with Gabriel García Márquez in various film and theater projects including “Tiempo de morir” (Time to Die) and “Edipo Alcalde” (Edipus the Mayor.) He has won numerous awards including the People’s Choice Award in Tolouse, France and the Golden Ombú Award for his film “I am Bolívar.” Triana has also received numerous ACE Awards (Association of Hispanic Theatre Critics). He is the founder of Bogotá’s Popular Theatre and currently directs at Repertorio Español as well as his own production company, Dramax, where the TV series “Commando Elite” is produced for the television channel RCN.


 

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GERMÁN JARAMILLO – ACTOR

Was born in Manizales, Caldas, Colombia. He is an actor, known for “Our Lady of the Assassins”(2000), “Paraiso Travel” (2008) and “Narcos” (2015). His trajectory as an actor has won him awards including Colombia’s Actor of the Year on various occasions. He starred in the film “La virgen de los sicarios” (2000) for which he was nominated and won many international awards. Jaramillo is the co-founder of ID Studio Theater in New York, of which he is the Artistic Director. He is also the co-founder of the Teatro Libre de Bogotá (The Free Theatre of Bogotá) as well as of its School of Acting, where he worked as a resident actor, producer and director for more than 30 years and oversaw more than 40 productions. His credits with Repertorio include: “Blind Date”, “Doña Flor and her two husbands”, “Weeds Just Won’t Die”, “Aunt Julia and the Scriptwriter” and, “Burundanga”.


 

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ZULEMA CLARES – ACTRESS 

Born in Cuba and holds a degree in Theater Techniques and Choral Direction from Cuba’s National Arts School.  She has worked in theater, film, and television as an actress, playwright, and director.  In 1996 she co-founded “Argos Theater” of Cuba and soon after she became one of the most acclaimed actresses of Cuban stage for her work in classics like “Strindberg”, “Brecht”, “Calderon de la Barca”, among others.  She also worked as a teacher at Cuba’s National Arts School and made her debut as a theatrical director in 2001 with “Thanks Grandma”, which she also wrote and starred in.  Her film credits include the leading roles of “The Nights of Constantinople”, “Three Times Two”, (Silver Zenith First Fiction Feature Film, Montreal 2004) and “Long Distance” (2008).  She won the Best Actress Award at the 2001 Camaguey Theater Festival in Cuba and received multiples HOLA, ACE and ATI awards for her work at Repertorio Español. Zulema currently resides in New York.  Her credits with Repertorio include: “The House of Bernarda Alba”, “The Feast of the Goat”, “Life is a Dream”, “Captain Pantoja and the Special Service”, “As Five Years Pass”, “Mariela in the Desert”, “Doña Flor and her two husbands”, “Love in the Time of Cholera”, “In the Time of the Butterflies”, “Cold Air”, “Aunt Julia and the Scriptwriter”, “Miss 744890”, “Burundanga”, “La canción”, “In the name of Salomé”, “Blind Spot” and “Courage, Betrayal, and a Woman Scorned”.

 

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World Premiere by Nilo Cruz to Headline Repertorio Español’s 50th Season

“Exquisita agonía” (Exquisite Agony) by Nilo Cruz

About REPERTORIO’s 50th season, Robert Federico notes, “We will highlight the foremost writers representing Latin America and the U.S.: Nobel Prize winner Gabriel García Márquez and Pulitzer Prize winner Nilo Cruz. Our company has already presented three productions by each writer, so it felt like a natural fit for the occasion. And as REPERTORIO’s very first play in 1968 was Calderón’s LA DAMA DUENDE (The Phantom Lady), it feels appropriate to bring back to the stage the virtually unknown women playwrights of the 17th century, “phantom playwrights,” if you will. Through these various works, we honor past traditions and add to the rich tapestry of New York Theater.”

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lady-with-a-fan“Valor, agravio y mujer” (Courage, Betrayal and a Woman) By Ana Caro Mallén de Soto

Gabriel Garcia Marquez“El coronel no tiene quién le escriba” (No One Writes to the Colonel) Based on Gabriel García Márquez’s novel and Directed by Jorge Alí Triana

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REPERTORIO ESPAÑOL PRESENTS THE WINNING PLAY OF THE 2015 METLIFE ‘NUESTRAS VOCES’ NATIONAL PLAYWRITING COMPETITION  “BLIND SPOT”

REPERTORIO ESPAÑOL PRESENTS THE WINNING PLAY OF THE 2015 METLIFE ‘NUESTRAS VOCES’ NATIONAL PLAYWRITING COMPETITION  “BLIND SPOT”
REPERTORIO ESPAÑOL PRESENTS THE WINNING PLAY OF THE 2015 METLIFE ‘NUESTRAS VOCES’ NATIONAL PLAYWRITING COMPETITION  “BLIND SPOT”
REPERTORIO ESPAÑOL PRESENTS THE WINNING PLAY OF THE 2015 METLIFE ‘NUESTRAS VOCES’ NATIONAL PLAYWRITING COMPETITION  “BLIND SPOT”
REPERTORIO ESPAÑOL PRESENTS THE WINNING PLAY OF THE 2015 METLIFE ‘NUESTRAS VOCES’ NATIONAL PLAYWRITING COMPETITION  “BLIND SPOT”

Repertorio Español presents the premiere of “Blind Spot” (Punto ciego) by Gerardo Cárdenas and directed by José Zayas on Saturday, July 8th at 8PM.

In recent years, the military has tried to draw in immigrants with programs that allow enlistees to become citizens after basic training, attracting about 5,000 takers each year, according to the Defense Department. One out of every 13 sailors is foreign born, the highest proportion in any military branch, according to the Navy. The service regularly holds citizenship ceremonies aboard ships.  At the same time, the proportion of racial and ethnic minorities in the military, mirroring the nation as a whole, has surged to 40 percent — nearly twice what it was 20 years ago.

The winning play of the 2015 MetLife “Nuestras Voces” National Playwriting Competition, “Blind Spot” tells the story of Ramón García, an undocumented immigrant seeking his own version of the American Dream: the hope for a new life given by citizenship papers after serving his country, and the happiness of being able to build a better future. He never saw an unexpected turn coming from a blind spot that would transform his life, and that of his family, into a bitter awakening and the realization of being a small piece in a huge political board.

“Blind Spot” will be presented in Spanish with captions in English and Spanish at Repertorio Español’s Gramercy Arts Theatre on 138 East 27th Street in Manhattan, New York.

Starring Pedro de León (Repertorio Español debut), Zulema Clares, Alfonso Rey, Gerardo Gudiño, Sandor Juan, Hannia Guillen and Gonzalo Trigueros (Repertorio Español debut).

 

Production Web Page

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Photos by Michael Palma

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It’s Summer at Repertorio!

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It is officially summer in the city, which means Repertorio is in the full swing of its summer session!

The theatre is offering up a specially curated summer season. Alongside the incredible plays you can find year round like En el tiempo de las mariposas and Cita a ciegas, new plays like Barceló con hielo and the Van Lier Series display the products of young, talented Latino writers, directors and actors flexing their muscle and sharpening their artistic skills on Repertorio’s Stage. Check out just some of the amazing shows that these young Latino artists have put together!

 

BARCELÓ CON HIELO
(BARCELÓ ON THE ROCKS)

By Marco Antonio Rodríguez
Directed by José Zayas

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Javier Fano & Ivan Camilo in “Barceló con hielo” (Photo courtesy of Michael Palma) 

Repertorio’s summer hit has received rave reviews from many publications and networks, including TimeOut New York, The Huffington Post, Univision41 and many others.

The play follows the story of the miserly Nino Antonio Ortíz whose hallucinations of former Domincan president Joaquín Balaguer force him to confront the dark secrets of his family embedded in the Caribbean nation’s history. Simultaneously, he must confront the debilitating effects of both his illness and children as he deteriorates in his Washington Heights home.

A perfect mix of history, culture, comedy and tragedy, “Barceló con hielo” is a story with a universal message based on the psyche of not only Dominican immigrants, but anyone who has experienced to some degree the psychological and emotional effects of leaving home.

“Barceló con hielo” premiered at Repertorio Español on Friday, June 13th at 8pm.
SCHEDULE, TICKETS AND INFORMATION: http://www.repertorio.org/barcelo or call 1-212-225-9999

 

 

EL CRUCE SOBRE EL NIÁGARA*
(CROSSING NIAGARA)

By Alonso Alegría Amézquita
Directed by Victoria Collado

Michael Palma for Repertorio Van Leer Crossing Niagra 020
Jorge Riverón & Eric Paterniani (Photo courtesy of Michael Palma) 

What happens when a famous tightrope walker is questioned on the genuineness of his act by a young scientist? They cross Niágara together, of course. El cruce sobre el Niágara is an excellent production by the young Victoria Collado that will make you laugh, gasp and marvel. Using Collado’s passion for incorporating dance and movement into her plays, El cruce sobre el Niágara is an exciting production that is guaranteed to leave you feeling good.

“El cruce sobre el Niágara” premiered at Repertorio Español on July 3rd at 7pm.
SCHEDULE, TICKETS AND INFORMATION: http://www.repertorio.org/niagara or call 1-212-225-9999

 

 

FIN DE SEMANA*
(WEEKEND)

By Julio Ramón Ribeyro
Directed by Diego Chiri

FDS

“Fin de semana” is a lost treasure by one of Peru’s most prolific writers, Julio Ramón Ribeyro. Known mostly for his short stories and essays, the writer also produced beautifully written plays of which many are rarely produced. Directed by Diego Chiri, the play follows what happens when an indigenous child dies on the property of a private club. A young architect is forced to decide between protecting those of his social class or report the negligence, provoking a look at the dark side of class and race in Peru and Latin America.

“Fin de semana” will premiere at Repertorio Español on Thursday, July 24th at 7pm.
SCHEDULE, TICKETS AND INFORMATION: http://www.repertorio.org/semana or call 1-212-225-9999

 

 

ASÍ VAN LOS FANTASMAS DE MÉXICO, PRIMERA PARTE*
(SO GO THE GHOSTS OF MEXICO, PART ONE)

By Matthew Paul Olmos
Directed by Estefania Fadul

fantasmas

The first part of a three-play cycle by Matthew Paul Olmos, Así van los fantasmas de México (Primera Parte), directed by Estefania Fadul, is a jarring look at the U.S/Mexico drug wars. Based on true events, a young woman volunteers to become the police chief in her village rife with violence and corruption. Using her new position to inspire pacifism and non-violence, she sparks a series of events that will affect her, her family, her enemies and her society as a whole.

“Así van los fantasmas de México (primera parte)” will premiere at Repertorio Español on Thursday, August 14th at 7pm.
SCHEDULE, TICKETS AND INFORMATION: http://www.repertorio.org/fantasmas or call 1-212-225-9999

 

 

*This production is part of the 2014-2015 Van Lier Directing Fellowship, sponsored by The New York Community Trust. For more information visit www.repertorio.org/vanlier

 

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In Memoriam: Repertorio Says Goodbye to Gabriel García Márquez

michael palma for repertorio cronica 028

On May 2nd, Repertorio will be honoring the memory of writer Gabriel García Márquez with a special performance of Crónica de una muerte anunciada, one of Repertorio’s longest running productions based on the novel of the same name. García Márquez changed world literature with his countless novels and stories, one of the main figures in the development of the genre of magic realism. Through that vein, he made an indelible impact on our theatre. Repertorio has a long history with the stories of “Gabo”, and check out the past plays that we have had and still have.

CRONICA DE UNA MUERTE ANUNCIADA

DIRECTED BY JORGE ALÍ TRIANA 1999-2014

michael palma for repertorio cronica 028 Set against the backdrop of a small Colombian town, Chronicle of a Death Foretold explores the chain of events, false accusations, petty errors and biases that lead to the unnecessary, yet pre-determined murder of a young man. It is a tightly woven tale that really captures García Márquez’s spin on “magic realism”, exploring the antiquated moral codes, the conspiracy of silence, and the explosive issues of race and class that lead the story to its tragic ending.

EL AMOR EN LOS TIEMPOS DE CÓLERA

DIRECTED BY JOSÉ ZAYAS 2012-2014

michael palma for repertorio love in the time_061 A lyrical, imagistic play that focuses on an extraordinary love story between a poetically-inclined man named Florentino Ariza and a sensual, practical yet somewhat elusive woman named Fermina Daza. Spanning fifty years of time, the story plays out in a series of short scenic episodes filled with poetry, song, movement and heightened moments of theatricality. One of García Márquez’s most recognizable stories, this critically acclaimed play is a beautiful take on the world renowned novel. 

LA CANDIDA ERENDIRA

DIRECTED BY JORGE ALÍ TRIANA 1991-1996

CANDIDAERENDIRA0046-OfeliaGonzalez   Based on a strong story by Gabo, this play follows the dark travels of a grandmother and her granddaughter. Starring the famous Ofelia González, the production was directed by famous Colombian director Jorge Alí Triana, who was also friends with Gabriel García Márquez himself.

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