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Repertorio Brings Latino Theater to The New York Times

Qué felices son las Barbies!

On Monday, April 14th, the cast of the production “21”  was invited by the organization Voces: The Latino Heritage Network of The New York Times to present a scene from the play and join Repertorio’s Resident Director José Zayas and the 2012 MetLife ‘Nuestras Voces’ winner Marco Antonio Rodríguez for an insightful panel discussion for the publication’s employees. In a beautiful setting perched above midtown Manhattan in the iconic New York Times Building, the employees of the distinguished newspaper – always a friend to Repertorio throughout the decades – sat down and discussed the current state of Latino theater in New York City with moderator Pedro Rafael Rosado.

An amazing opportunity to perform for one of the world’s largest publications, the team shared the history of the theater, the current changing and fluid state of the latino theater scene, how the MetLife ‘Nuestras Voces’ National Playwriting Competition ensures art for future generations of writers, and Repertorio’s upcoming premiere of Barceló con hielo.

For more information on tours, collaborations and special projects, contact Allison Astor Vargas at aav@repertorio.org. 

Marco Antonio Rodríguez’s winning play – Barceló con hielo – will premiere on Friday, June 13th at Repertorio Español, thanks to the generous support of the MetLife Foundation. For tickets and reservations, call (212) 225 9999 or visit www.repertorio.org/barcelo

 

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Actors Sandor Juan and Frank Rodríguez

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Co-Chair of The New York Times Latino Network Deyanira Martínez with Frank Rodríguez

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Actress Dalia Davi and actor Frank Rodríguez

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Actress Dalia Davi, actors Frank Rodríguez and Abdel González

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(From left to right) Actors Sandor Juan, Dalia Davi, Abdel González, Frank Rodríguez, Resident Director José Zayas, playwright Marco Antonio Rodríguez and New York Times Manager of Video Operations Pedro Rafael Rosado.

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(From left to right) Actors Sandor Juan, Dalia Davi, Abdel González, Frank Rodríguez, Resident Director José Zayas and playwright Marco Antonio Rodríguez.

Qué felices son las Barbies!
(From left to right) Abdel González, Dalia Davi, Frank Rodríguez, Sandor Juan, Executive Producer Robert Weber Federico, Manager of Special Projects & Educational Outreach Allison Astor Vargas, Resident Director José Zayas and Public Relations Associate Kevin Tighe Martínez.

 

Photos courtesy of Michael Palma.

 

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A Vibrant Team for “Barceló con hielo”

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With the highly anticipated world premiere of Repertorio’s newest production, Barceló con hielo, on the horizon, two of Repertorio’s most dynamic figures have teamed up to make this a one-of-a-kind and provocative production that will be a must-see for those interested in Caribbean culture, history and tradition. Resident Director José Zayas has teamed up with playwright Marco Antonio Rodríguez, combining a praised and distinct directing style with a unique story taking place between today’s Washington Heights and the Dominican countryside of the 1970s.

Well on the road to readings and rehearsals, take a minute to be introduced to the writer and director of this play that is bound to be one of the hallmarks of contemporary Hispanic-American theater.

Barceló con hielo will premiere on Friday, June 13th at 8pm. For tickets and reservations, go to www.repertorio.org/barcelo or call (212) 225 9999. 

 

JoseZayas Color by MPalma EM300José Zayas
Director

In 2004, José Zayas’ began his journey at Repertorio as part of the Van Lier Directing Fellowship. Born in Puerto Rico and a graduate of Harvard and Carnegie Mellon Universities, he has proven to be a major force in the world of Latino arts and culture. Alongside an impressive list of achievements outside of Repertorio, he would go on to direct seven productions for the company, and was recently named the official Resident Director. Many of his productions have gone on to win prestigious ACE (Association de Cronistas de Espectaculo) and HOLA (Hispanic Organization of Latin Actors) awards. Some of them include Madre, el drama padre ; Letters to a Mother, Nowhere on the Border; No Better Friend, No Worse Enemy; In the Time of the Butterflies; and Love in the time of Cholera.

Zayas has already made impressive and influential strides in New York’s theater scene. As co-Founder of the Immediate Theater Company, he has also held a residency at The Ensemble Studio Theater, has been listed on nytheater.com on their 2007 People of the Year list, is a Drama League Fellow, and is also an alumnus of Lincoln Center’s Directing Lab.

Marco Antonio Rodríguez
Writer 

Marco 4 no nameA native of New York City with deep roots in the Dominican Republic, Marco Antonio graduated from the famous La Guardia High School for the Performing Arts and graduated from Southern Methodist University. With a vibrant energy both on and off stage, he has acted, written, produced and directed – becoming one of the Latino theater scene’s most powerful emerging voices.

With a long and impressive list of credits, Rodríguez’s work has become widely known and increasingly visible. Some of his screenplays – namely Silence, Mariscal and Covenant – have swept various national screenwriting competitions including the NYC Midnight International Screenwriting Competition. He is also a contributor to Latino Leaders Magazine, and his play Heaven Forbid(s) was named outstanding new play by the Texas Critics Forum.

Rodríguez’s play La luz de un cigarillo was praised on an international level, receiving multiple HOLA and ACE awards as well as three Soberano awards – the most prestigious awards in the Dominican Republic. The play has been widely published, and is currently being included in various curriculums in multiple universities, including the University of Puerto Rico and Rutgers University.

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Dominicans on Stage: A History of Quisqueya & Repertorio

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From left to right: Financial Manager Nieves Vásquez, Dominican Consul Hon. Luís Lithgow, Marco Antonio Rodríguez.

From left to right: Financial Manager Nieves Vásquez, Dominican Consul Hon. Luís Lithgow, Marco Antonio Rodríguez.

The Dominican American community here in the United States is expanding both in numbers and influence. The largest foreign-born community in New York City, Dominicans and Dominican-Americans play a vital part in the world of Latino arts and culture. A vibrant culture in music, dance, literature and theater, Repertorio has always taken steps to open its iconic stage to this extremely influential community.

In that great partnership, Repertorio Español will be presenting the world premiere of Dominican-American writer Marco Antonio Rodríguez’s new play, Barceló con hielo on June 13th. A touching testimony to the Dominican immigrant experience, the play is the latest in a long line of Dominican productions that have called Repertorio home. Here are only a few of our most popular works from Quisqueya la bella.

LA FIESTA DEL CHIVO
(THE FEAST OF THE GOAT)

WRITTEN BY MARIO VARGAS LLOSA
DIRECTED BY JORGE ALÍ TRIANA
2002-2011

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Based on the iconic novel of the same name by Mario Vargas Llosa, this powerful production was directed by the world famous Jorge Alí Triana. Following the story of General Rafael Leónidas Trujillo, dictator of the Dominican Republic from 1930-1960, the play was recognized by Vargas Llosa himself, saying “the adaptation by Triana has achieved the difficult task of being faithful to the facts and the spirit of the novel, and is at the same time very theatrical.”

EN EL TIEMPO DE LAS MARIPOSAS
(IN THE TIME OF THE BUTTERFLIES)

WRITTEN BY CARIDAD SVICH
DIRECTED BY JOSÉ ZAYAS
2011-PRESENT

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“En el tiempo de las mariposas” continues to be one of Repertorio’s most popular plays, both with student groups and general audiences. Following the heroic story of the Mirabal sisters, the play is a sharp perspective not only into the history of these four heroines, but also their relationships with one another as sisters. Directed by Resident Director José Zayas, the play was written by writer Caridad Svich and based off Julia Álvarez’s novel of the same name. For tickets and reservations, click here.

OTHER PRODUCTIONS

SERENATA DOMINICANA – QUISQUEYA: HISTORIA EN MÚSICA
(DOMINICAN SERENADE)
Directed by René Buch
1994-1997

QUE BUENA AMIGA ES MI SUEGRA
(HOW GOOD MY MOTHER-IN-LAW IS)
Guest production – Directed by Franklin Domínguez
2002

MI TÍA LA JAMONA
(MY AUNT THE OLD MAID)
Guest production – Directed by Franklin Domínguez
2002-2004

COMPAÑÍA DE TEATRO BELLAS ARTES
(BELLAS ARTES THEATER COMPANY)
Guest production – Directed by FRANKLIN RODRÍGUEZ

“Barceló con hielo” will premiere on Friday, June 13 at 8 PM. For tickets, reservations and general information, visit www.repertorio.org/barcelo

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The Van Lier Fellowship: A Tradition of Dedication to a New Generation

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Director Andrés Zambrano, former participant in the Van Lier Directing Fellowship, will direct Federico García Lorca's "La zapatera prodigiosa" in Februrary of 2014

Director Andrés Zambrano, former participant in the Van Lier Directing Fellowship, will direct Federico García Lorca’s “La zapatera prodigiosa” in Februrary of 2014

Repertorio Español is announcing the opening the application process for one of its most prestigious initiatives, the Van Lier Directing Fellowship. thanks to the outstanding generosity of The New York Community Trust, the program is designed for emerging Hispanic and Latino directors in New York City and has proven to be an incredible opportunity to develop their craft.

Those selected will mount two professional productions over the course of two summers; a contemporary play in the summer of 2014 and a play from Spain’s “Siglo de oro” (Golden Age) in the summer of 2015.

In addition to the “MetLife Nuestras Voces” National Play Writing Competition – a competition for emerging playwrights writing about the Latino experience to have their work produced – the Van Lier Fellowship is part of a long tradition here at Repertorio dedicated to nurturing a new generation of playwrights, directors and artists. The theatrical tradition is ingrained deep in Latino culture, and assuring the rise of a new generation of talented directors is integral to the cultural development of the Hispanic-American community. The ability to successfully mount two plays – one contemporary and one centuries old – offers an unparalleled opportunity for young directors to successfully gain their footing in the world of theater and be able to comfortably adapt to the myriad of tastes, styles and cultures that together make up the diverse Latino community in New York City. More importantly, this is an opportunity to gain experience and confidence, as often times these productions are the director’s first professional theatrical production in their career.

Throughout the years, many of today’s featured and highlighted Latino directors passed through the fellowship, including the current Resident Director of Repertorio Español, José Zayas. Others have continued to direct productions at Repertorio and elsewhere, including Andrés Zambrano who will be directing Repertorio’s production of Lorca’s “La zapatera prodigiosa” in February of 2014. Other names include Jerry Ruiz, Eduardo Navas (2004) and Michael John Garces. The Van Lier directors are always a pool of young, fresh faces particularly because the application process is exclusively for those under 30. In a city as competitive as New York, such opportunities are golden, giving young artists at the morning of their career the opportunity to garner not only new skills and know-how, but also experience, reviews, and attention from the press. The relationship between director and theater is a harmonious and mutually beneficial symbiosis – young directors are given the resources they need to mount a full production at a prestigious theater while Repertorio is injected with fresh, young theatrical perspective and raw talent.

Check out just a few of the Van Lier fellows from recent years, and be sure to keep a lookout for them and their future productions.

ANDRÉS ZAMBRANO
DIRECTOR, LA ZAPATERA PRODIGIOSA
2010 VAN LIER FELLOW

Andrés Zambrano was born in Cuenca, Ecuador. He graduated from Bard College with a double major in Theatre and Literature. While in college, he was awarded a scholarship by the Neediest Cases of The New York Times. He has directed plays like “Coser y cantar” by Dolores Prida, “The Love of Don Perlimplín” in the new Frank O. Gehry Performing Arts Center and in 2005 he directed “Yerma” by Federico García Lorca. He has assisted Sir Jonathan Miller, Peter Schneider and Francesca Zambello. He was awarded the Van Lier Fellowship for Young Directors at Repertorio Español program for which he directed Federico García Lorca’s “El public.” “Judging by the work of Andrés Zambrano, there is strong reason to belief that this new director has a very promising future.” FERNANDO CAMPOS, EL ESPECIAL (2010)

JOSÉ ZAYAS
REPERTORIO ESPAÑOL RESIDENT DIRECTOR
2004 VAN LIER FELLOW

José Zayas was recently appointed Resident Director of Repertorio Español. His credits with Repertorio Español include “Madre, el drama padre,” “Letters to a Mother,” “Nowhere on the Border,” “The House of the Spirits,” “No Better Friend, No Worse Enemy,” “In the Time of the Butterflies,” “Love in the Time of Cholera,” “21,” and “Our Little Girl is Getting Married.” His production of “The House of the Spirits,” based on Isabel Allende’s novel, won multiple ACE and HOLA awards, including Best Production and Director. It had its international debut at the Mori Theatre in Santiago, Chile. He also directed it at the Denver Center where it won numerous Ovation Awards including Best Production and Direction and was selected as Best Production of the Year by the Denver Post. Zayas was born in Puerto Rico and graduated from Harvard and Carnegie Mellon Universities.

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8 Reasons You Should See Saulo García This Holday Season

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He’s back!

Well, at least he’s back for the holidays. Saulo García will be performing his wild standup comedy again this holiday season at Repertorio Español. “El insomnio americano,” “Entrada gratis” and “La vida en los esclavos unidos” are back at Repertorio, but not forever! Performances are only from December 26th to January 6th.

An award winning and internationally recognized comedian, there are many, many reasons to love Saulo García. As if you needed them, here are 8 reasons to check him out this holiday season.

1. HE CAN MAKE YOU LAUGH…

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Saulo has travelled the world with his comedy, including the U.S., Canada and his native Colombia.

2. HE CAN MAKE YOU DANCE…

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Saulo García also happens to be a master folk singer and musician, a talent he incorporates into his act with songs dedicated to such things like the financial crisis.

3. THE CRITICS LOVE HIM…

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Why take our word for it, hear it straight from them. In 2009, the Washington Post noted that Saulo has a “good-humored stage presence that’s irresistible” and that “his animated face is so readable and fun to watch.”

4. HE PERFORMS STAND-UP IN SPANISH…

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Sure, there are a lot of Latino comedians, but not so many that perform in Spanish. With Saulo García’s shows, you can enjoy stand up comedy in an entirely different way, making for an entirely different experience.

5. HIS COMEDY HAS DEPTH…

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Saulo García’s act is far from vapid, superficial or vulgar. With subjects that “hum with political resonance” (The Washington Post) like the financial crisis and the struggles of recent immigrants, Saulo’s comedy makes you both laugh and think.

6. HE’S WON HIS FAIR SHARE OF AWARDS…

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Saulo’s won many accolades, including a Premio Orquídea (2002, Miami), Premio Colombia (2005, Miami), an ACE award (2011) and Best Actor in the Miami Theater Festival (2011, Miami). In addition to this, Saulo has had special recognition by the UN.

7. HIS SHOWS ARE ALWAYS A HIT AT REPERTORIO…

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No matter what time of the year, Saulo’s shows are always a hit. Whenever he performs on Repertorio’s stage, each seat is filled with a person and a laugh.

8. SAULO TICKETS ARE THE PERFECT GIFT FOR THE HOLIDAYS!

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Holiday shopping is always stressful, especially when you want to give something special and unique. You can buy tickets to Saulo’s shows, and all Repertorio performances, from home! Online or by phone, a ticket for some fabulous comedic genius is only a click away.

Welcome back, Saulo. We missed you…

 

Saulo García will return to Repertorio on Thursday, December 26th at 7pm with his show, “Entrada Gratis”. 
SCHEDULE, TICKETS AND INFORMATION: www.repertorio.org or call 1-212-225-9999

Webpages:
www.repertorio.org/entrada
www.repertorio.org/esclavos
www.repertorio.org/insomnio 

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The Importance of Early Work… and Where it Takes Place

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Even the prolific Spanish playwright Federico García-Lorca had to start somewhere.

Even the prolific Spanish playwright Federico García-Lorca had to start somewhere.

The craft of the playwright is a complex one that requires practice, honing and nurturing in appropriate settings and institutions. Today, the plays of Federico Garía Lorca are a prominent fixture not only on the stage of Repertorio Español, but of theaters throughout the world. Even Lorca himself, however, was not birthed into this world scribbling the first words of masterpieces like Yerma fluently onto paper. He too needed to have his young talent sharpened into the genius we know today through a mix of opportunity, trial and error. Despite his later insistence that Mariana Pineda was his first work, his play El maleficio de la mariposa was laughed off the stage of Madrid’s Teatro Eslava in the spring of 1920, seven years before. It was a profound – albeit mortifying – experience that would shape the way Lorca saw his audience and the way the audience sees Lorca. Today the debacle is little known, but one cannot deny that the unappreciative howls of the audience of the Teatro Eslava somehow, someway affected the way Lorca would later treat masterpieces like Bodas de sangre and La casa de Bernarda Alba.

The story of Lorca and El maleficio de la Mariposa highlights how the early experiences of the writer shape his or her later genius. A young and determined playwright watches his first play sink or swim, and adjusts his future work accordingly. That is why Repertorio Español’s MetLife Nuestras Voces National Playwriting Competition is an initiative that lies close to the heart of this theater. Thanks to the support of the MetLife Foundation, Repertorio Español annually becomes a cradle for new, young voices in the growing world of Latin0 theater – preferably a more constructive and fostering cradle than the Teatro Eslava was on those few Spring evenings in 1920.

Since it began, over 100 plays written by young, budding playwrights have had dramatic readings on Repertorio’s stage. Thirteen went on to become full productions, with a 14th to be announced early in 2014. The energetic comedy “21” continues to delight audiences after a full year and 2013’s winner “Barceló con hielo” (Barceló on the Rocks) is a fresh new work by one of the rising stars of Latino theater, Marco Antonio Rodríguez.

2013 MetLife Nuestras Voces Playwriting Competition winner Marco Antonio Rodríguez

2013 MetLife Nuestras Voces Playwriting Competition winner Marco Antonio Rodríguez

The competition began 14 years ago thanks to the generosity of the MetLife Foundation with the goal of identifying and developing the work of talented playwrights. “Nuestras Voces” translates into “our voices,” an accurate description of another goal of the competition; to support works that reflect and represent a broad spectrum of nationalities and explore subjects and themes important to the Hispanic community here in the United States. Just as a young Lorca needed to experience the growing pains of his youthful work to shape his later genius, the artistic spirit of the Hispanic-American community – especially here in New York – requires such initiatives to foster the talent of tomorrow.

Readings are open to the public, require no reservation and are free of charge. Visit www.repertorio.org/readings for a full schedule.

The reading series concludes on November 26th.

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