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Federico García Lorca

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Meet the Cast of “Aire Frío”

Qué felices son las Barbies!

Meet the Romaguera family, the protagonists of Repertorio’s first production of the 2014-2015 season, Aire frío. The play follows the story of the strong willed pillar of the family, the anxious Luz Marina Romaguera, in her desperate 20 year struggle to find two things in life; a husband and an electric fan to keep her sane from the heat of 1950s Havana.

Repertorio will be premiering this groundbreaking play on Saturday, September 13th at 8PM, in addition to a special performance that Sunday at 2PM with a post-show panel discussion jointly with The Cuban Cultural Center of New York.

For tickets and more information, visit www.repertorio.org/aire or call (212) 225-9999

 

Zulema Clares
Country of Origin: Cuba
Role: Luz Marina Romaguera

Zulema Clares ORIGINAL (Color)

Zulema Clares is one of the Latino stage’s most recognizable faces, performing in an impressive number of productions at any given time as well as having garnered various important awards and recognitions. A graduate of Cuba’s National Arts School, her film and stage credits are many. At Repertorio, she is (currently) in “The House of Bernarda Alba,” “In the Time of the Butterflies,” “The Shoemaker’s Prodigious Wife,” “Blind Date” and “Love in the Time of Cholera,” among others. This year alone, she will be in two of Repertorio’s four new productions, including “Aire frío” and the golden-age play “El loco por fuerza” by Félix Lope de Vega. Ironically, this will be the first time Clares will portray a Cuban character at Repertorio.

 

Ana Margarita Martínez-Casado
Country of Origin: Cuba
Role: Ana Romaguera

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Ana Margarita Martínez-Casado is a prolific actress on both the stage and screen. Born in Camaguey, Cuba to a family of four generations of actors, singers and artists, she started a singing and acting career young, performing in various Zarzuelas in Cuba from the age of seventeen. Martínez-Casado famously portrayed the character of Juana Peña in the groundbreaking series, ¿Que pasa USA?, one of the first and only bilingual sit-coms that won her a regional Emmy. Among her many projects, performances and awards, Martínez-Casado has been in over thirty productions in Repertorio Español since 1973.

 

Frank Robles
Country of Origin: Puerto Rico
Role: Angel Romaguera

Frank Robles BW

A pioneer of Latino theater in New York City, Frank Robles is a co-founder of INTAR Theater and has won many awards, including a New York State Achievement Award for contribution to the arts in 1974, as well as an award from the Institute of Culture of Puerto Rico. He has worked in countless productions in both English and Spanish, including “Crossover Dreams” alongside Ruben Blades. He has been seen in many productions in Repertorio Español, including “Bodas de sangre,” “La celestina,” and currently in “La gringa.”

 

Sandor Juan
Country of Origin: Cuba
Role: Enrique Romaguera

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Sandor Juan began acting at age fifteen in a Telemundo series called, “De Padres a Hijos.” Mr. Juan also made his film debut appearing alongside Marisa Tomei in “The Perez Family,” a film directed by Mira Nair. In 2001 he enrolled at “New World School of the Arts” where he studied modern American Theater and the Hagen technique. He also attends Bobby Moresco’s workshop “The Actor’s Gym.” Other credits include the TV shows “Burn Notice” and “The Tonight Show” with Conan O’Brien. Mr. Juan’s theatre credits include “Matacumbe,” Jean Anouilh’s “The Traveler Without Luggage,” and Nilo Cruz’s ‘The Color of desire.” He made his premiere at Repertorio Español in “Probation” and would go on to act in the hit-comedy “La nena se casa” by Carlos Ferrari.

 

Pablo Andrade
Country of Origin: Venezuela
Role: Oscar Romaguera

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Pablo Andrade has most recently received two HOLA awards for his performances in the plays “Noche tan linda” at the Puerto Rican Travelling Theater and “El loco por fuerza” in Repertorio Español. He was also invited to the prestigious John F. Kennedy Center of Performing Arts’ Cultural Visitors Program for Actors. Other credits in New York include “Por gusto” (Repertorio Español), “Cuentos de guerra para dormir en paz” (Corezon), “Balm in Gilead” (HB Playwrights Foundation), “Agravios de fortuna” (TEBA), among others.

 

Erick Gonzalez
Country of Origin: Puerto Rico
Role: Luis Romaguera

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Erick Gonzalez in a remarkably dynamic actor whose credits in New York City alone are an impressive collection of both English and Spanish language productions. This will be his second production at Repertorio, the first being the role of Feliciano in Félix Lope de Vega’s Golden Age era play, El loco por fuerza, also directed by Leyma López. The list of stages, theatres and companies he has appeared in include The West End Theatre, the Premiere Stages, the Frog and Peache Theatre Co., the NY Shakespeare Exhange, Hip to Hip Theatre Company, the Wild Project and many more.

 

Idalmis García
Country of Origin: Cuba
Role: Laura

Idalmis Garcia
Idalmis García graduated from the University of Havana with a degree in Art History, working extensively in theatre, film and television both in Cuba and the United States. Her credits are many, and include a wide array of international productions in Cuba, New York, and Germany. She was most recently seen in the HOLA award winning production, “Noche tan linda” by Pablo García- Gamez at the Puerto Rican Travelling Theater.

 

Annia Bu
Country of Origin: Cuba
Role: Laura

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Annia Bu received her B.F.A in Acting from Cuba’s Instituto Superior de Arte. Her film credits in both Cuba and the United States are many and include “Los dioses rotos” (2008), “El cuerno de la abundancia” (2009), and “Larga distancia” 2010. She has taken many awards from various distinguished international film festivals in the United States, Brazil and Cuba. This will be Bu’s second production at Repertorio, the first being El loco por fuerza by Félix Lope de Vega.

 

Mario Mattei
Country of Origin: Puerto Rico
Role: Vendedor, Miranda, Don Benigno y Pepe

Mario Mattei B&W

Mario Mattei is a native of Puerto Rico and a graduate of the University of Puerto Rico, having studied drama there. As a student, he came into contact with director Dean Zayas, a pioneer and instrumental figure in the theatrical movement in Puerto Rico. A master of both the stage and the screen, Mattei openly prefers theater and considers it to be a demanding and challenging, though rewarding, vehicle for dramatic expression.

Mattei is a hallmark of Repertorio’s company of actors, holding roles in productions like “El Quijote” and “Crónica de una muerte anunciada,” both directed by Jorge Alí Triana, “La fiesta del chivo” and Carmen Rivera’s groundbreaking play “La gringa” which still continues to sell out theaters to this day.

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Not Your Average García-Lorca

Zapater Lorca HIGH RES

There is a common trap that all too often ensnares those who are about to watch a play by Federico García Lorca. They walk in expecting to see the dark Andalusian home of Bernarda Alba, women with peinetas and mantillas neurotically fanning themselves with elaborate abanicos as they fight against Iberian machismo. Perhaps in the background a soft flamenco plays, Lorca ever mindful of the folk culture of the gitanos (Roma) that surrounded him. For many, this is García Lorca’s world – 1930s southern Spain and, in many aspects, it was.

With Andrés Zambrano’s production of García Lorca’s poetic comedy, “La zapatera prodigiosa” there will be neither peinetas nor mantillas. Flamenco will be traded for songs like “Júrame,” “Perdón” and “Piensa en mi,” all performed live. Premiering February 7th, “La zapatera prodigiosa” will be a sharp departure from the stereotypically romanticized world of García Lorca. Rather, Zambrano’s production will shed this nostalgic air, leaving the playwright’s message naked and unshielded from the eyes of the viewers to chew and digest.

Adding to this dynamic is a hallmark of Repertorio’s stage – the inclusion of accomplished actors from across the world. Check out just a few of the amazing actors who will be taking roles in this highly anticipated play, actors who hail from a variety of countries including Cuba, Puerto Rico, and Argentina, among others.

Zulema ClaresZulema Clares
Country of Origin: Cuba

Zulema Clares is one of Repertorio’s most acclaimed actresses, currently in other popular shows like Cita a ciegas, El amor en los tiempos de cólera and En el tiempo de las mariposas.

Born in Cuba, Clares holds a degree in Theater Techniques and Choral Direction from Cuba’s National Arts School. One of the original co-founders of the Argos Theater of Cuba, she rapidly became one of the biggest and most acclaimed names of the Cuban stage for her broad range of works. While teaching at Cuba’s National Arts School, she made her debut as a theatrical director in 2001 with her production “Thanks Grandma,” which she also wrote. Clares’ talents are not limited to the stage, however. Her extensive film credits including leading roles in “The Nights of Constantinople,” “Three Times Two,” and “Long Distance.”

Clares is currently one of the most acclaimed actresses of the Latino stage here in the United States. Aside from winning the Best Actress Award at the 2001 Camaguey Theater Festival in Cuba, she has consecutively swept the HOLA Awards since 2009.

Gerardo GudiñoGerardo Gudiño
Country of Origin: Argentina

Gerardo Gudiño is one of Repertorio’s most recognizable faces, playing the prolific role of Don Quijote in Jorge Alí Triana’s El Quijote as well as numerous other roles in some of Repertorio’s bestselling productions.

Gudiño holds a degree in theater studies from the National University of Córdoba, Argentina as well as a Masters in Neurolinguistic Programming, having studied under several of the most prestigious and recognized acting professors in both Argentina and France. His theatrical skills are broad and include semiotics, direction, clowning, anthropological theater and dance theater. Other training includes extensive direction of productions and an intense 22 month training period at the Lee Strasberg Theatre Institute in New York.

Gudiño first arrived to Repertorio in 2000 as Assistant Director for the renowned Artistic Director of the theater, René Buch, eventually going on to become part of Repertorio’s company of actors.

Mario MatteiMario Mattei
Country of Origin: Puerto Rico

Mario Mattei is a native of Puerto Rico and a graduate of the University of Puerto Rico, having studied drama there. As a student, he came into contact with director Dean Zayas, a pioneer and instrumental figure in the theatrical movement in Puerto Rico. A master of both the stage and the screen, Mattei openly prefers theater and considers it to be a demanding and challenging, though rewarding, vehicle for dramatic expression.

Mattei is a hallmark of Repertorio’s company of actors, holding roles in productions like “El Quijote” and “Crónica de una muerte anunciada,” both directed by Jorge Alí Triana, “La fiesta del chivo” and Carmen Rivera’s groundbreaking play “La gringa” which still continues to sell out theaters to this day.

Mariana BuonincontiMariana Buoninconti
Country of Origin: Argentina

Mariana Buoninconti is one of the most accomplished actresses in Repertorio’s company of actors, having started acting in Buenos Aires at the age of 15. Since then, she has studied with some of the most renowned names of the Argentine and Latino stages, including Leondro Rosati, Alicia Bruzzo, Eduardo Pardo and Elena Duarte

Having started acting at such a young age, she was part of the cast of the Narizopas Theater which performed musical comedies for children, as well as the Puppet Theatre in Buenos Aires and across the entirety of Argentina. She also performed in the musical comedy “Waku Waku” at the prestigious Metropolitan Theater in Buenos Aires, going on to tour most of the northern half of the South American country.

Her past stage credits are broad and include “The Glass Menagerie” by Tennessee Williams, “Fear and Misery in the Third Reich” by Bertolt Brech and “A View from the Bridge” by Arthur Miller. In the United States, she has been no stranger to some of the biggest productions of both the American and Hispanic-American stages, including “The Adventures of Don Quixote” in Miami, “The Wizard of Oz,” “The Imaginary Invalid,” “Positive Woman,” and “Soufflé de Rosas” in New York, among countless Repertorio productions.

Jerry SotoJerry Soto
Country of Origin: Puerto Rico

Another graduate of the University of Puerto Rico, Jerry Soto is a true galán of Repertorio. Soto has had extensive artistic experience across the globe – not just in New York and Puerto Rico but also in Ecuador as parto of the Malayerba Theatre Group and in Peru as part of the Yuyachkani Theater Group. A regular in the New York Latino theater scene, he has performed in many of the theaters that make up said community, including the Teatro Círculo.

He is also a regular of the big and small screen, having participated in the mock TV news program “Noticreo” which won the 2008 Latin Emmy for Best Magazine, the film “The Argentine” by Steven Soderbergh and is also a regular host of the weekly TV show “WWE Experience.”

Edna Lee FigueroaEdna Lee Figueroa
Country of Origin: Puerto Rico

Edna Lee Figueroa has two decades of life on the stage under her belt, associated with some of the most recognizable stages of Latino theater, including Teatro Círculo and Boundless Theater Company. The ACE award actress is a graduate of the University of Puerto Rico, as well as having received a masters in Arts Administration from Turabo University, also in Puerto Rico.

Edna Lee currently resides in New York, but has travelled the world with her art including Puerto Rico and Bogotá, Colombia. She has built an impressive career, is a member of both SAG and HOLA, spent two years at the Burning Coal Theatre Company of North Carolina and has been credited in over 40 productions on stage, film, television and radio. She had a performing role in the film “Maldeamores” produced by Benicio Del Toro, which in turn was premiered in the TriBeCa Film Festival.

You can read more about Edna Lee at her website, www.ednaleefigueroa.com

*Not listed, Pietro González

“La zapatera prodigiosa” will premiere at Repertorio Español on Friday, February 7th at 8pm.
SCHEDULE, TICKETS AND INFORMATION: http://www.repertorio.org/zapatera or call 1-212-225-9999

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What to Expect in 2014

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¡Feliz año nuevo! It’s officially 2014, and Repertorio has a major line-up for this exciting new year. Here’s just a sampling of what to expect for the first half of the year.

The return of “Cita a ciegas”
January 11th

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Hannia Guillen & Germán Jaramillo in “Cita a ciegas.” 

After an initial run that left audiences in awe, Repertorio will be bringing “Cita a ciegas” back to the stage.

Performed around the world to enthusiastic critical and audience acclaim, “Cita a ciegas” is a compelling and riveting play about chance encounters. An intricate puzzle of passions, destinies, and coincidences seduces audiences into a world filled with unrequited love, dangerous obsessions, and the thought of what-might-have-been.

Performances begin again on January 11th.

For tickets, click here!

 

Van Lier Applications Open
March 3rd Deadline

Repertorio Español has opened the application process for one of its most prestigious initiatives, the Van Lier Directing Fellowship. Thanks to the outstanding generosity of The New York Community Trust, the program is designed for emerging Hispanic and Latino directors in New York City and has proven to be an incredible opportunity to develop their craft.

Those selected will mount two professional productions over the course of two summers; a contemporary play in the summer of 2014 and a play from Spain’s “Siglo de oro” (Golden Age) in the summer of 2015.

For more information, click here!

 

¡Ay, Carmela!
Premieres January 22nd

Ay Carmela 8 - Image from poster
Francisco Reyes & Puy Navarro

A perfect mix of comedy and drama, ¡Ay, Carmela! is a tribute to love, courage, life in the theatre, and a heartbreaking look at the absurdity of war. An overnight success following its Spanish premiere in 1987, the show premieres in New York in January 2014, presented by Repertorio Español and produced by Francisco Reyes & Puy Navarro.

For tickets, click here!

 

Nuestras Voces Winner Announced
January 2014

Partnered with the MetLife Foundation, Repertorio’s groundbreaking competition brings the work of one talented, emerging new playwright to our stage for a full production. The competition began 14 years ago with a goal of identifying and developing the work of talented playwrights who highlight the Hispanic / Latino experience in the United States. Echoing the Company’s original mission, these plays represent a cross section of nationalities and explores subjects and themes important to the Hispanic community.
The winner will be announced in January from a pool of 10 finalists.

For more information, click here!

 

La zapatera prodigiosa
Premieres February 7th

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Federico García Lorca 

A small village is scandalized by the marriage of an old shoemaker and a beautiful, sensual, and flirtatious young woman. “La zapatera prodigiosa” is a poetic comedy by Federico García Lorca where true love triumphs. Filled with popular music and performed by a talented cast, this play will surely leave audiences in awe of one of García Lorca’s most captivating stories.

Directed by the young and talented Andrés Zambrano, “La zapatera prodigiosa” is bound to be a fresh serving of Lorca for the winter months. Performances begin February 7th.

For tickets, click here!

 

Barceló con hielo
Premieres June 13th

Barceló on the Rocks tells the story of Nino, a Dominican from el Cibao living in New York City. In the course of one night, he confronts his own mortality and the dark secrets of the Dominican Republic’s political history that have plagued his family for generations.

The winning play of the 2012 MetLife Nuestras Voces National Playwriting Competition, “Barceló con hielo” is written by Marco Antonio Rodríguez, the author of La luz de un cigarrillo, winner of 5 HOLA and 4 ACE Awards including Outstanding Achievement in Playwriting and currently one of the rising stars of Latino theater.

For tickets, click here!

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The Van Lier Fellowship: A Tradition of Dedication to a New Generation

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Director Andrés Zambrano, former participant in the Van Lier Directing Fellowship, will direct Federico García Lorca's "La zapatera prodigiosa" in Februrary of 2014

Director Andrés Zambrano, former participant in the Van Lier Directing Fellowship, will direct Federico García Lorca’s “La zapatera prodigiosa” in Februrary of 2014

Repertorio Español is announcing the opening the application process for one of its most prestigious initiatives, the Van Lier Directing Fellowship. thanks to the outstanding generosity of The New York Community Trust, the program is designed for emerging Hispanic and Latino directors in New York City and has proven to be an incredible opportunity to develop their craft.

Those selected will mount two professional productions over the course of two summers; a contemporary play in the summer of 2014 and a play from Spain’s “Siglo de oro” (Golden Age) in the summer of 2015.

In addition to the “MetLife Nuestras Voces” National Play Writing Competition – a competition for emerging playwrights writing about the Latino experience to have their work produced – the Van Lier Fellowship is part of a long tradition here at Repertorio dedicated to nurturing a new generation of playwrights, directors and artists. The theatrical tradition is ingrained deep in Latino culture, and assuring the rise of a new generation of talented directors is integral to the cultural development of the Hispanic-American community. The ability to successfully mount two plays – one contemporary and one centuries old – offers an unparalleled opportunity for young directors to successfully gain their footing in the world of theater and be able to comfortably adapt to the myriad of tastes, styles and cultures that together make up the diverse Latino community in New York City. More importantly, this is an opportunity to gain experience and confidence, as often times these productions are the director’s first professional theatrical production in their career.

Throughout the years, many of today’s featured and highlighted Latino directors passed through the fellowship, including the current Resident Director of Repertorio Español, José Zayas. Others have continued to direct productions at Repertorio and elsewhere, including Andrés Zambrano who will be directing Repertorio’s production of Lorca’s “La zapatera prodigiosa” in February of 2014. Other names include Jerry Ruiz, Eduardo Navas (2004) and Michael John Garces. The Van Lier directors are always a pool of young, fresh faces particularly because the application process is exclusively for those under 30. In a city as competitive as New York, such opportunities are golden, giving young artists at the morning of their career the opportunity to garner not only new skills and know-how, but also experience, reviews, and attention from the press. The relationship between director and theater is a harmonious and mutually beneficial symbiosis – young directors are given the resources they need to mount a full production at a prestigious theater while Repertorio is injected with fresh, young theatrical perspective and raw talent.

Check out just a few of the Van Lier fellows from recent years, and be sure to keep a lookout for them and their future productions.

ANDRÉS ZAMBRANO
DIRECTOR, LA ZAPATERA PRODIGIOSA
2010 VAN LIER FELLOW

Andrés Zambrano was born in Cuenca, Ecuador. He graduated from Bard College with a double major in Theatre and Literature. While in college, he was awarded a scholarship by the Neediest Cases of The New York Times. He has directed plays like “Coser y cantar” by Dolores Prida, “The Love of Don Perlimplín” in the new Frank O. Gehry Performing Arts Center and in 2005 he directed “Yerma” by Federico García Lorca. He has assisted Sir Jonathan Miller, Peter Schneider and Francesca Zambello. He was awarded the Van Lier Fellowship for Young Directors at Repertorio Español program for which he directed Federico García Lorca’s “El public.” “Judging by the work of Andrés Zambrano, there is strong reason to belief that this new director has a very promising future.” FERNANDO CAMPOS, EL ESPECIAL (2010)

JOSÉ ZAYAS
REPERTORIO ESPAÑOL RESIDENT DIRECTOR
2004 VAN LIER FELLOW

José Zayas was recently appointed Resident Director of Repertorio Español. His credits with Repertorio Español include “Madre, el drama padre,” “Letters to a Mother,” “Nowhere on the Border,” “The House of the Spirits,” “No Better Friend, No Worse Enemy,” “In the Time of the Butterflies,” “Love in the Time of Cholera,” “21,” and “Our Little Girl is Getting Married.” His production of “The House of the Spirits,” based on Isabel Allende’s novel, won multiple ACE and HOLA awards, including Best Production and Director. It had its international debut at the Mori Theatre in Santiago, Chile. He also directed it at the Denver Center where it won numerous Ovation Awards including Best Production and Direction and was selected as Best Production of the Year by the Denver Post. Zayas was born in Puerto Rico and graduated from Harvard and Carnegie Mellon Universities.

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The Importance of Early Work… and Where it Takes Place

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Even the prolific Spanish playwright Federico García-Lorca had to start somewhere.

Even the prolific Spanish playwright Federico García-Lorca had to start somewhere.

The craft of the playwright is a complex one that requires practice, honing and nurturing in appropriate settings and institutions. Today, the plays of Federico Garía Lorca are a prominent fixture not only on the stage of Repertorio Español, but of theaters throughout the world. Even Lorca himself, however, was not birthed into this world scribbling the first words of masterpieces like Yerma fluently onto paper. He too needed to have his young talent sharpened into the genius we know today through a mix of opportunity, trial and error. Despite his later insistence that Mariana Pineda was his first work, his play El maleficio de la mariposa was laughed off the stage of Madrid’s Teatro Eslava in the spring of 1920, seven years before. It was a profound – albeit mortifying – experience that would shape the way Lorca saw his audience and the way the audience sees Lorca. Today the debacle is little known, but one cannot deny that the unappreciative howls of the audience of the Teatro Eslava somehow, someway affected the way Lorca would later treat masterpieces like Bodas de sangre and La casa de Bernarda Alba.

The story of Lorca and El maleficio de la Mariposa highlights how the early experiences of the writer shape his or her later genius. A young and determined playwright watches his first play sink or swim, and adjusts his future work accordingly. That is why Repertorio Español’s MetLife Nuestras Voces National Playwriting Competition is an initiative that lies close to the heart of this theater. Thanks to the support of the MetLife Foundation, Repertorio Español annually becomes a cradle for new, young voices in the growing world of Latin0 theater – preferably a more constructive and fostering cradle than the Teatro Eslava was on those few Spring evenings in 1920.

Since it began, over 100 plays written by young, budding playwrights have had dramatic readings on Repertorio’s stage. Thirteen went on to become full productions, with a 14th to be announced early in 2014. The energetic comedy “21” continues to delight audiences after a full year and 2013’s winner “Barceló con hielo” (Barceló on the Rocks) is a fresh new work by one of the rising stars of Latino theater, Marco Antonio Rodríguez.

2013 MetLife Nuestras Voces Playwriting Competition winner Marco Antonio Rodríguez

2013 MetLife Nuestras Voces Playwriting Competition winner Marco Antonio Rodríguez

The competition began 14 years ago thanks to the generosity of the MetLife Foundation with the goal of identifying and developing the work of talented playwrights. “Nuestras Voces” translates into “our voices,” an accurate description of another goal of the competition; to support works that reflect and represent a broad spectrum of nationalities and explore subjects and themes important to the Hispanic community here in the United States. Just as a young Lorca needed to experience the growing pains of his youthful work to shape his later genius, the artistic spirit of the Hispanic-American community – especially here in New York – requires such initiatives to foster the talent of tomorrow.

Readings are open to the public, require no reservation and are free of charge. Visit www.repertorio.org/readings for a full schedule.

The reading series concludes on November 26th.

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