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Meet the New Van Lier Fellowship Directors!

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Every two years, Repertorio hand in hand with The New York Community Trust has chosen three accomplished, young, Hispanic directors the opportunity to hone their craft on Repertorio’s iconic stage. Now charged with two productions over two summers – one contemporary play in 2014 and a Siglo de oro (17th century Spanish) play in 2015 – Repertorio proudly welcomes Victoria Collado, Diego Chiri and Estefania Fadul and looks forward to the great energy these talented individuals will bring!

Their plays, El cruce sobre el Niágara, Fin de semana and Así van los fantasmas de México (primera parte) will be playing all summer. So check out the newest members of the familia Repertorio and don’t forget to buy your tickets to these three great plays!

For tickets, visit www.repertorio.org/fellowship or call (212) 225 9999

 

VICTORIA COLLADO

Vitoria Collado by Synapse Shots

HOMETOWN: Miami, Florida
BACKGROUND: Cuban
2014 PRODUCTION: El cruce sobre el Niágara by Alonso Alegría

Victoria Collado is a native of Miami, Florida of Cuban background and is a graduate of Florida International University where she received her BFA in Theatre Performance.

Both an actress and director, she is influenced by the works of Brecht, Pina Bausch and Agusto Boal and is very interested in mixing movement with naturalist plays to create an exciting energy in the theatre. Back in Miami, she directed for MicroTeatro Miami, What If Works and other theatres in the area.

She has chosen El cruce sobre el Niagara (Crossing the Niágara) as her New York Premiere, though her previous work on Los últimos días de una casa was nominated for an ACE award as well as an ATI Award win for Best Director of a Monologue.

El cruce sobre el Niágara by Alonso Alegría will be premiering at Repertorio on July 3rd. Following the story of an acrobat who is questioned by a skeptical young man, he is impelled to do what he has never done before – cross the Niagara with a man on his back.

 

DIEGO CHIRI

Diego M. Chiri by Natt McFee

HOMETOWN: Lima, Perú
BACKGROUND: Peruvian
2014 PRODUCTION: Fin de semana by Julio Ramón Ribeyro

Diego M. Chiri is a native of Lima, Peru – a graduate of the Champagnat High School and going on to graduate from the Community College of Philadelphia and Bucknell University with Cum Laude honors and degrees in Film and Theatre.

Diego has an impressive directing history in both film and theatre, having directed Ashes (2010), The Zoo Story (2011) and the documentary Devising the American Family (2012) which was screened at the Edinburgh Fringe Festival. Throughout his education, he garnered various scholarships and academic accolades, including the Jack Kent Cooke Foundation Scholarship, the CCP Foundation Scholarship, and membership in the Phi Theta Kappa Honor Society.

A fan of the work of Julio Ramón Ribeyro – particularly the writer’s lesser known scripts – Diego will be directing the powerful Fin de semana (Weekend) by said author, premiering July 24th. Following the death of an indigenous child on the property of a private club in 1960s Lima, the architect of the building must decide between reporting the negligence or protecting his own social class – a decision made more difficult by the clubs owner, an oligarch capable of anything when his interests are threatened.

 

ESTEFANÍA FADUL

Estefanía Fadul by Shelly Rodríguez

HOMETOWN: Hannover, New Hampshire
BACKGROUND: Colombian
2014 PRODUCTION: Así van los fantasmas de México, primera parte by Matthew Paul Olmos

Estefania Fadul is a Colombian born, New Hampshire raised director with her own company – Pleiades Productions – of which she is Artistic Director. Aside from that impressive feat, she has also directed and co-produced various readings, workshops and productions including Well by Lisa Kron and Persephone by Mathew Minnicino (FringeNYC). She has assisted various directors like Ed Sylvanus Iskandar (The Flea), Jo Bonney (MCC), Sheryl Kaller (Powerhouse Theatre/NYSAF), Tracy Young (Oregon Shakespeare Festival) and Michael Barakiva (Upstart Creatures).

A graduate of Vassar College, she has also studied at the Prague Film School and the Lincoln Center Theatre Directors Lab.

For her first Van Lier production at Repertorio, Estefania has chosen Así van los fantasmas de México, Primera Parte (So Go the Ghosts of México, Part One) by Matthew Paul Olmos, a fascinating play exploring the effect of the current U.S/Mexican drug wars. Inspired by true events, a young woman becomes the police chief of her village when nobody else dares to. Armed with a pacifist message, she must reevaluate the worth of her fight after she sets off a chain of events.

 

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“The Theatre of Rice & Beans” Premiere

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It’s not everyday that a lifetime achievement is immortalized in a documentary, but that’s exactly what happened at the May 12th premiere of The Theater of Rice & Beans. The film by University of Florida professor Tony Mata is an in depth look at the origins and trajectory of Latino theatre in New York, as well as the stories of René Buch, Miriam Colón and Max Ferra who founded Repertorio Español, The Puerto Rican Travelling Theatre and INTAR, respectively.

Also in attendance were some of the Latino stages’ biggest talents, including Zulema Clares, Ana Margarita Martínez Casado, Carmen Rivera, Chita Rivera, Miriam Cruz, among many many others. Check out just a few of these photos from this big night out!

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Luís Carlos de la Lombana & Founding Artistic Director René Buch

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Founding Artistic Director René Buch

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Carlos Navedo (Impacto News) and Actress Zulema Clares

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Manny Alfaro (HOLA), Public Relations Associate Kevin Tighe Martínez (Repertorio Español), Carlos Navedo (Impacto), Actresses Zulema Clares and Ana Margarita Mart’inez Casado, Director Leyma López

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Actresses Zulema Clares and Ana Margarita Martínez Casado, PRTT founder Miriam Colón and Director Leyma López (Repertorio Español).

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Actresses Ana Margarita Martínez Casado and PRTT founder Miriam Colón.

 

 

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In Memoriam: Repertorio Says Goodbye to Gabriel García Márquez

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On May 2nd, Repertorio will be honoring the memory of writer Gabriel García Márquez with a special performance of Crónica de una muerte anunciada, one of Repertorio’s longest running productions based on the novel of the same name. García Márquez changed world literature with his countless novels and stories, one of the main figures in the development of the genre of magic realism. Through that vein, he made an indelible impact on our theatre. Repertorio has a long history with the stories of “Gabo”, and check out the past plays that we have had and still have.

CRONICA DE UNA MUERTE ANUNCIADA

DIRECTED BY JORGE ALÍ TRIANA 1999-2014

michael palma for repertorio cronica 028 Set against the backdrop of a small Colombian town, Chronicle of a Death Foretold explores the chain of events, false accusations, petty errors and biases that lead to the unnecessary, yet pre-determined murder of a young man. It is a tightly woven tale that really captures García Márquez’s spin on “magic realism”, exploring the antiquated moral codes, the conspiracy of silence, and the explosive issues of race and class that lead the story to its tragic ending.

EL AMOR EN LOS TIEMPOS DE CÓLERA

DIRECTED BY JOSÉ ZAYAS 2012-2014

michael palma for repertorio love in the time_061 A lyrical, imagistic play that focuses on an extraordinary love story between a poetically-inclined man named Florentino Ariza and a sensual, practical yet somewhat elusive woman named Fermina Daza. Spanning fifty years of time, the story plays out in a series of short scenic episodes filled with poetry, song, movement and heightened moments of theatricality. One of García Márquez’s most recognizable stories, this critically acclaimed play is a beautiful take on the world renowned novel. 

LA CANDIDA ERENDIRA

DIRECTED BY JORGE ALÍ TRIANA 1991-1996

CANDIDAERENDIRA0046-OfeliaGonzalez   Based on a strong story by Gabo, this play follows the dark travels of a grandmother and her granddaughter. Starring the famous Ofelia González, the production was directed by famous Colombian director Jorge Alí Triana, who was also friends with Gabriel García Márquez himself.

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Acerca de - Artists Stories

A Vibrant Team for “Barceló con hielo”

JoseZayas Color by MPalma EM300

With the highly anticipated world premiere of Repertorio’s newest production, Barceló con hielo, on the horizon, two of Repertorio’s most dynamic figures have teamed up to make this a one-of-a-kind and provocative production that will be a must-see for those interested in Caribbean culture, history and tradition. Resident Director José Zayas has teamed up with playwright Marco Antonio Rodríguez, combining a praised and distinct directing style with a unique story taking place between today’s Washington Heights and the Dominican countryside of the 1970s.

Well on the road to readings and rehearsals, take a minute to be introduced to the writer and director of this play that is bound to be one of the hallmarks of contemporary Hispanic-American theater.

Barceló con hielo will premiere on Friday, June 13th at 8pm. For tickets and reservations, go to www.repertorio.org/barcelo or call (212) 225 9999. 

 

JoseZayas Color by MPalma EM300José Zayas
Director

In 2004, José Zayas’ began his journey at Repertorio as part of the Van Lier Directing Fellowship. Born in Puerto Rico and a graduate of Harvard and Carnegie Mellon Universities, he has proven to be a major force in the world of Latino arts and culture. Alongside an impressive list of achievements outside of Repertorio, he would go on to direct seven productions for the company, and was recently named the official Resident Director. Many of his productions have gone on to win prestigious ACE (Association de Cronistas de Espectaculo) and HOLA (Hispanic Organization of Latin Actors) awards. Some of them include Madre, el drama padre ; Letters to a Mother, Nowhere on the Border; No Better Friend, No Worse Enemy; In the Time of the Butterflies; and Love in the time of Cholera.

Zayas has already made impressive and influential strides in New York’s theater scene. As co-Founder of the Immediate Theater Company, he has also held a residency at The Ensemble Studio Theater, has been listed on nytheater.com on their 2007 People of the Year list, is a Drama League Fellow, and is also an alumnus of Lincoln Center’s Directing Lab.

Marco Antonio Rodríguez
Writer 

Marco 4 no nameA native of New York City with deep roots in the Dominican Republic, Marco Antonio graduated from the famous La Guardia High School for the Performing Arts and graduated from Southern Methodist University. With a vibrant energy both on and off stage, he has acted, written, produced and directed – becoming one of the Latino theater scene’s most powerful emerging voices.

With a long and impressive list of credits, Rodríguez’s work has become widely known and increasingly visible. Some of his screenplays – namely Silence, Mariscal and Covenant – have swept various national screenwriting competitions including the NYC Midnight International Screenwriting Competition. He is also a contributor to Latino Leaders Magazine, and his play Heaven Forbid(s) was named outstanding new play by the Texas Critics Forum.

Rodríguez’s play La luz de un cigarillo was praised on an international level, receiving multiple HOLA and ACE awards as well as three Soberano awards – the most prestigious awards in the Dominican Republic. The play has been widely published, and is currently being included in various curriculums in multiple universities, including the University of Puerto Rico and Rutgers University.

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The Van Lier Fellowship: A Tradition of Dedication to a New Generation

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Director Andrés Zambrano, former participant in the Van Lier Directing Fellowship, will direct Federico García Lorca's "La zapatera prodigiosa" in Februrary of 2014

Director Andrés Zambrano, former participant in the Van Lier Directing Fellowship, will direct Federico García Lorca’s “La zapatera prodigiosa” in Februrary of 2014

Repertorio Español is announcing the opening the application process for one of its most prestigious initiatives, the Van Lier Directing Fellowship. thanks to the outstanding generosity of The New York Community Trust, the program is designed for emerging Hispanic and Latino directors in New York City and has proven to be an incredible opportunity to develop their craft.

Those selected will mount two professional productions over the course of two summers; a contemporary play in the summer of 2014 and a play from Spain’s “Siglo de oro” (Golden Age) in the summer of 2015.

In addition to the “MetLife Nuestras Voces” National Play Writing Competition – a competition for emerging playwrights writing about the Latino experience to have their work produced – the Van Lier Fellowship is part of a long tradition here at Repertorio dedicated to nurturing a new generation of playwrights, directors and artists. The theatrical tradition is ingrained deep in Latino culture, and assuring the rise of a new generation of talented directors is integral to the cultural development of the Hispanic-American community. The ability to successfully mount two plays – one contemporary and one centuries old – offers an unparalleled opportunity for young directors to successfully gain their footing in the world of theater and be able to comfortably adapt to the myriad of tastes, styles and cultures that together make up the diverse Latino community in New York City. More importantly, this is an opportunity to gain experience and confidence, as often times these productions are the director’s first professional theatrical production in their career.

Throughout the years, many of today’s featured and highlighted Latino directors passed through the fellowship, including the current Resident Director of Repertorio Español, José Zayas. Others have continued to direct productions at Repertorio and elsewhere, including Andrés Zambrano who will be directing Repertorio’s production of Lorca’s “La zapatera prodigiosa” in February of 2014. Other names include Jerry Ruiz, Eduardo Navas (2004) and Michael John Garces. The Van Lier directors are always a pool of young, fresh faces particularly because the application process is exclusively for those under 30. In a city as competitive as New York, such opportunities are golden, giving young artists at the morning of their career the opportunity to garner not only new skills and know-how, but also experience, reviews, and attention from the press. The relationship between director and theater is a harmonious and mutually beneficial symbiosis – young directors are given the resources they need to mount a full production at a prestigious theater while Repertorio is injected with fresh, young theatrical perspective and raw talent.

Check out just a few of the Van Lier fellows from recent years, and be sure to keep a lookout for them and their future productions.

ANDRÉS ZAMBRANO
DIRECTOR, LA ZAPATERA PRODIGIOSA
2010 VAN LIER FELLOW

Andrés Zambrano was born in Cuenca, Ecuador. He graduated from Bard College with a double major in Theatre and Literature. While in college, he was awarded a scholarship by the Neediest Cases of The New York Times. He has directed plays like “Coser y cantar” by Dolores Prida, “The Love of Don Perlimplín” in the new Frank O. Gehry Performing Arts Center and in 2005 he directed “Yerma” by Federico García Lorca. He has assisted Sir Jonathan Miller, Peter Schneider and Francesca Zambello. He was awarded the Van Lier Fellowship for Young Directors at Repertorio Español program for which he directed Federico García Lorca’s “El public.” “Judging by the work of Andrés Zambrano, there is strong reason to belief that this new director has a very promising future.” FERNANDO CAMPOS, EL ESPECIAL (2010)

JOSÉ ZAYAS
REPERTORIO ESPAÑOL RESIDENT DIRECTOR
2004 VAN LIER FELLOW

José Zayas was recently appointed Resident Director of Repertorio Español. His credits with Repertorio Español include “Madre, el drama padre,” “Letters to a Mother,” “Nowhere on the Border,” “The House of the Spirits,” “No Better Friend, No Worse Enemy,” “In the Time of the Butterflies,” “Love in the Time of Cholera,” “21,” and “Our Little Girl is Getting Married.” His production of “The House of the Spirits,” based on Isabel Allende’s novel, won multiple ACE and HOLA awards, including Best Production and Director. It had its international debut at the Mori Theatre in Santiago, Chile. He also directed it at the Denver Center where it won numerous Ovation Awards including Best Production and Direction and was selected as Best Production of the Year by the Denver Post. Zayas was born in Puerto Rico and graduated from Harvard and Carnegie Mellon Universities.

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Acerca de - Artists Stories

Repertorio Español Welcomes Two Colombian Giants for an Argentine Production

Renowned Colombian director Jorge Alí Triana
Germán Jaramillo

Colombian movie star Germán Jaramillo

Repertorio Espanol lives close to the pulse of New York’s Latin community. In a city that breathes art and theatre through every vent, the wide spectrum of Hispanic cultures that live here converge their distinct artistic styles into a single, one-of-a-kind flavor found nowhere else. In each show, cultures are deconstructed and sewn back together, creating a patchwork of artistic styles that, otherwise, would most likely never have come together. The audience remains with the unique opportunity to recognize their own culture in works that they otherwise would never have been present.

It is in this profound and tested tradition that Repertorio Español presents Mario Diament’s “Cita a ciegas” (Blind Date). A distinctly Argentine play in the puzzling tradition of Borges, “Cita a ciegas” has travelled the world many times over to much acclaim. It is here, however, at Repertorio Español that this tribute to contemporary Buenos Aires will receive a new production in the expert hands of Jorge Alí Triana, a gifted director from another of Latin America’s greatest theater cities.

Colombian movie star Germán Jaramillo and renowned Colombian director Jorge Alí Triana have come to Repertorio Español to inject “Cita a ciegas” with a healthy dose of paisa flare. Both are giants of the Colombian stage and screen, and both are bound to leave an interesting mark in the world of Latin theatre with this provocative collaboration.

Renowned Colombian director Jorge Alí Triana

Renowned Colombian director Jorge Alí Triana

Germán Jaramillo boasts a long line of acting and directing credits in film, television and on stage. Most famously, he starred in the internationally acclaimed “La virgen de los sicarios” (“Our Lady of the Assassins”) which was awarded the Gold Medal in the 2000 Venice Film Festival and gave Jaramillo a nomination for best actor. Other films and TV productions include Caracol Television’s “La bruja” and the Mexican production, “Huérfanos.”

Aside from the screen, Jaramillo also claims an impressive career on stage, including the founding of the Teatro Libre, Colombia’s most important repertory theater, and ID Studio Theater in New York.

Jaramillo will be acting under the direction of renowned Colombian director Jorge Alí Triana, who regularly directs at Repertorio Español as well as his own production company, Dramax, where the TV series “Commando Elite” is produced for the television channel RCN.

Jaramillo will be acting alongside actors Beatriz Córdoba, Zulema Clares, Luis Carlos de la Lombana and Hannia Guillén.

Performed around the world to enthusiastic critical and audience acclaim, Mario Diament’s “Cita a ciegas” (Blind Date) is a compelling and riveting play about chance encounters. An intricate puzzle of passions, destinies, and coincidences seduces audiences into a world filled with unrequited love, dangerous obsessions, and the thought of what-might-have-been. In the play, the central character, a blind writer becomes unwittingly entangled in the personal lives of four people with consequences for all involved.

Cita a ciegas will premiere at Repertorio Español on Thursday, October 17th, 2013 at 7pm
SCHEDULE, TICKETS AND INFORMATION: Repertorio.org or call 1-212-225-9999  

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