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REPERTORIO ESPAÑOL ANNOUNCES THE LAUNCH OF THREE NEW PRODUCTIONS AVAILABLE FOR STREAMING ON REPERTORIO ON-DEMAND

la traicion en la amistad

Repertorio Español, the multiple award-winning Latinx theater company, is proud to add three new productions directed by young directors from The Van Lier Young Latinx Director’s Fellowship, Sponsored By The New York Community Trust. The Van Lier Directing Fellows – Ana Luz Zambrana, Kathleen Capdesuñer, and James Bruenger-Arreguin directed three Spanish Golden Age (17th Century) plays written by women playwrights – LA TRAICIÓN EN LA AMISTAD, LOS EMPEÑOS DE UNA CASA, and PRIMERO SUEÑO which premiered at the iconic theater earlier this year.

Los empenos de una casa blog

Repertorio On-Demand is a platform that offers audiences an array of works for online streaming, reaching people across cultural and physical boundaries worldwide. The initiative opened three years ago during the pandemic, bringing Repertorio’s most beloved productions to the screens of their audiences.

All productions are presented in Spanish with English Subtitles and are available on the Company’s website repertorio.nyc.

Primero sueño blog

ABOUT THE NEW YORK COMMUNITY TRUST
The New York Community Trust is dedicated to meeting the changing needs of children, youth, and families; aid in community development; improve the environment; promote health; assist people with special needs; and support education, arts, and human justice.

GENERAL INFORMATION
By phone: 1-212.225.9999 | Online: repertorio.nyc

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REPERTORIO ESPAÑOL ANNOUNCES THE FINALISTS AND READING SERIES OF THE 2023 MIRANDA FAMILY VOCES LATINX PLAYWRITING COMPETITION

Voces Latinx Finalists 2023

June 2023 – NEW YORK, NY – Repertorio Español announces the finalists of The 2023 Miranda Family Voces Latinx Playwriting Competition, an initiative to develop and promote Latinx/Latine plays that resonate with and accurately depict the Latinx/Latine experience by playwrights of all racial and national backgrounds. After receiving over 100 scripts written in either English or Spanish by emerging playwrights from across the United States and Puerto Rico, the company will present staged readings of the five finalists. All readings will be free to the public community and will be presented from June 12th to June 25th.

The winners will be announced in the Fall:

  • Grand Prize Winner: $3,000
  • 2nd Place: $2,000
  • 3rd Place: $1,000
  • 2 Runners up $500

THE 2023 MIRANDA FAMILY VOCES LATINX PLAYWRITING COMPETITION FINALISTS:

BE CAREFUL THE SHARKS WILL EAT YOU
By Jay Álvarez and John Laffan
Monday, June 12th, 7:00 pm

Directed by Jason Ramírez
Presented in English

Playwrights Bio:

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Jay Álvarez, an actor and writer, was born in Cuba and came to the US at the age of five, a journey he has theatricalized in both a solo show and his current project BE CAREFUL THE SHARKS WILL EAT YOU. Training includes the Stella Adler Studio, Wynn Handman and Austin Pendleton. His solo show was named Best of Fringe at the Hollywood Fringe Festival and Top Solo Performance at FringeNYC. Jay is trilingual.

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John Laffan is a theatre maker and playwright. He has studied and participated in workshops at Art Workshop International in Assisi, Italy, Southampton Writers Workshop, and New York Theatre Workshop, studying with Richard Caliban, Alex Lewin, Paula Vogel, Stephen Adley Gurgis, James Hindman and Arlene Hutton. John has done? numerous readings at The Barrow Group and is a member of their invitation-only Master Class.

About Be Careful the Sharks Will Eat You: The real life story of how one man planned and executed the escape of 28 people from Cuba in 1964, Be Careful The Sharks Will Eat You explores the love between a husband and wife when events beyond their control seemingly dash their hopes forever of reuniting with children already sent abroad. While personal in nature, it is also a universal refugee story depicting the painful decisions and vague hopes propelling families into the unknown.


ON THE EASTSIDE
By Marissa Castañón-Hernández
Tuesday, June 13th, 7:00 pm

Directed by Carlos Armesto
Presented in English

Marissa Castaños

Playwright Bio: Marissa is a theatre educator and advocate for educational equity. On the Eastside, set in Austin, Texas, is her first full-length play. She is a National Teach Plus Senior Writing Fellow and has published several opinion pieces, including The CRT We Should All Be Concerned About and Denying Undocumented Children a Free Public Education is Unconscionable. As a Teach Plus Policy Fellow, Marissa co-authored a policy brief on the retention of teachers of color.

About On The Eastside: On the Eastside, set in Austin, Texas, in the spring of 2019, tells the story of a lively Mexican-American family living east of Interstate 35. The family must navigate gentrification and long-standing systemic issues characteristic of the city. An incident with law enforcement leaves them wondering if some things will ever change.


3 DRAG QUEENS AND A NATIVITY SCENE
By Alex Rodríguez
Wednesday, June 14th, 7:00 pm

Directed by Gamaliel Valle
Presented in English

Alex Rod

Playwright Bio: As a playwright, Las Adelitas (The Selena Play) and 3 Drag Queens & A Nativity Scene highlight his emerging career. The youngest of thirteen children, Alex Rodríguez, born into a family of migrant workers, obtained a Bachelor of Arts in Drama from The University of Texas in Austin. After living in New York City for many years discovering his inner playwright, Alex currently lives in South Texas.

About 3 Drag Queens and A Nativity Scene: 3 Drag Queens & A Nativity Scene is a play about three gay Texan men, who have been friends for decades, embark on a road trip to protest the caging of children at the Texas border I.C.E. Detention Facilities. Along the way their friendship, identities, and sanity will be put to the test. A comedy that fills you with laughter, truth, and love.


OK
By Christin Eve Cato
Sunday, June 25th, 3:00 pm

Directed by Alejandra Ramos Riera
Presented in English

Cristin Eve

Playwright Bio: Christin Eve Cato is a playwright, dramaturg, and performing artist from the Bronx. She holds an MFA in Playwriting from Indiana University and completed her BA in Political Science and Philosophy at Fordham University. Cato is also a graduate of Fiorello H. LaGuardia High School for Music and Art and the Performing Arts. She is affiliated with NYC theater companies, Pregones/PRTT (ensemble member & former Resident Dramaturg), INTAR Theatre (UNIT 52 ensemble member), and the Latinx Playwrights Circle. She is also a playwright in the WP Theater 2022-2024 Pipeline Lab. Cato’s artistic style is expressed through Caribbean culture and the Afro-Latinx diaspora, honoring her Puerto Rican and Jamaican roots. Recent productions include the Off-Broadway sensation, Sancocho (co-produced by The Latinx Playwrights Circle, The Sol Project and WP Theatre), and The Diamond (The Peoples Theatre Project/Pregones Theatre).  Publication/Contributor credits include: We Are Not Neutral (Amazon Books) and, Latinx Actor Training (Routledge). She is repped by WME Agency and 3 Arts Entertainment. www.christinevecato.com

About OK: Four Latinas prepare for a non-union bilingual production of Rodgers and Hammerstein’s Oklahoma, playing at a regional theater in Oklahoma. When one of the women discovers she is pregnant, they band together as they navigate a post-Roe America. In their dialogue comes revelations about their careers, their personal lives, and their relationship with a society that has become desperate to discount their own humanity.


LOCOS
Written and directed by José Luis Useche
Sunday, June 25th, 6:00 pm

 Presented in Spanish

 

Playwright Bio: José Luis Useche is an actor, playwright and theater director with a well-known artistic career. His projects have been recognized in: Venezuela (winner of the 2016 Microtheater Outstanding Dramaturgy Award, nominated for the 2015 Isaac Chocrón Dramaturgy Award), New York (ATI, ACE, ARTE, HOLA), Mexico (Best Script 2019 ArtHouse), Miami (nominated to Mara International 2016). His style encompasses social criticism, exposing human relationships in everyday life, but always filled with hints of humor.

About Locos: Four deranged people remain locked up in a sanatorium to recover what they lost. All slaves to a mental illness that began the day they decided to emigrate from their country in search of happiness. These four immigrants are not only looking for a better future far from their home, but also to fulfill their dreams despite the monster that torments them from within. The same monster that reminds them that, even if they are a little bit crazy, they will always be right.

ABOUT THE MIRANDA FAMILY FUND
For over 40 years, The Miranda Family has championed community activism. They have created and supported institutions whose work is intended for underserved populations throughout New York City, across the country, and in Puerto Rico. They continue to foster the family’s commitment to advocacy for education, the arts, and social justice – along with a sustained focus on relief and rebuilding efforts in Puerto Rico post-Hurricane Maria.

GENERAL INFORMATION
Please call:  1-212.225.9999 | Email: aav@repertorio.org

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REPERTORIO ESPAÑOL PRESENTS THE NEW YORK PREMIERE OF “RADOJKA, SI TE MUERES TE MATO” (RADOJKA, I’LL KILL YOU IF YOU DIE).

Es Radojka Repertorio NYC (700 × 400 px) - 1

The production will open on Tuesday, June 6th. It will take place at the 55th-anniversary celebration to support Repertorio’s Education Program, ¡DIGNIDAD!, making theatre accessible to students that have limited access to the rich theatrical heritage of Latin America, Spain, and the Latinx community and providing instruction by professional theatre artists in local schools with high Latino enrollment.

The theater will be honoring Sava B. Thomas with the Board of Directors Award for over 30 years serving on the board.

Repertorio Español, one of NYC’s most celebrated Latinx theatre companies, presents the New York premiere of “RADOJKA, SI TE MUERES TE MATO” (RADOJKA, I’LL KILL YOU IF YOU DIE), written by the Uruguayan playwriters Fernando Schmidt & Christian Ibarzabal.

“After several successes since we reopened in October 2021, I am proud that Repertorio is prioritizing contemporary Latinx playwrights, sharing great works like Radojka. When I first read this superb comedy, I knew it would become a favorite of Repertorio’s audience. We can’t wait to share this work while we honor one of the first women to join our Board and most loyal supporter, Sava B. Thomas.” – Rafael Sánchez, Executive Artistic Director

Leyma López will direct the comedy and stars Zulema Clares from Cuba, Maria Fontanals from Spain, and Wanda Arriaga & Gilberto Gabriel Díaz Flores from Puerto Rico. The production will start previews on Friday, June 2nd, and premiere on Tuesday, June 6th. It will take place at the 55th-anniversary celebration to support Repertorio’s Education Program, ¡DIGNIDAD! on the iconic Gramercy Arts Theatre stage with a reception at Sarabeth’s at Park Avenue South after the performance. 

Performed in Spanish with English subtitles.

ABOUT THE PLAY
Two women tasked with being caregivers unite to survive and keep their employment while attending to an elderly woman. Their unexpected choice leads to uproarious circumstances. How far would you go to safeguard your livelihood?

PREVIEWS:
Friday, June 02, 2023, 8:00 PM
Saturday, June 03, 2023, 8:00 PM
Sunday, June 04, 2023, 3:00 PM

OPENING NIGHT:
Tuesday, June 06, 2023, 7:00 PM

PERFORMANCES:
Friday, June 09, 2023, 8:00 PM
Saturday, June 10, 2023, 8:00 PM
Sunday, June 11, 2023, 3:00 PM
Thursday, June 15, 2023, 7:00 PM
Friday, June 16, 2023, 8:00 PM
Saturday, June 17, 2023, 8:00 PM
Sunday, June 18, 2023, 3:00 PM

More performances are available through 2023.

PLAYWRIGHTS

Fernando Schmidt is a playwright and screenwriter. He is the author of more than twenty plays and many others collaborations. He has been awarded by the General Association of Authors of Uruguay with the Musa Award, and by the Instituto Internacional de Teatro (UNESCO), in recognition of the best work by a national author. His work ¿Quién fue el gracioso? won the Municipal Dramaturgy Award. Together with Christian Ibarzábal, he is the author of the comedy Radojka, which premiered in twelve countries and was awarded with multiple awards. 

Christian Ibarzábal premiered ten plays of his authorship and close to twenty collaborations, in the main theaters of Uruguay. He received nominations and awards from theater critics, for Revelation, Best Musical, and Best Show for Children, at the Florencio Uruguayan Theater Awards. In co-authorship with Fernando Schmidt, he has written Radojka, winner of the Estrella de mar award in 2022 and the Carlos 2023 award, for the best theatrical text and the best comedy of the season in Argentina. 

LEYMA LÓPEZ – DIRECTOR
Born in San José de las Lajas in La Habana, Cuba. From 2001 to 2005 she studied direction and acting in the School of the Arts in San Antonio de los Baños, Cuba. In 2009, she received her Acting and The Arts degree from The Superior Institute of La Habana. López was the founder and director of Rompecalles in 2007; a theatrical project focused on investigating classic text. As part of it, she created the adaptation of Fedra and Asamblea de mujeres (The Assembly of Women), two classics of Greek mythology, which won the awards of Festival Olga Alonso and the Municipal of San José de las Lajas award for Best Play.

López is presently Resident Director of Repertorio Español. She received the Van Lier Award for Young Directors in 2012. At Repertorio Español, she has directed: Por Gusto (For Pleasure), El Loco por fuerza (Insane by Force), Hierba mala nunca muere (Weeds Won’t Die), Aire frío (Cool Air), La fiaca, Valor, agravio y mujer (Courage, Betrayal, and a Woman Scorned), La Celestina, La Paz Perpetua, Filomena Marturano: Un matrimonio a la caribeña, La dama boba and a series of readings highlighting the works of 17th Century women playwrights. She has received various nominations and awards from ATI, ACE, and HOLA. 

GENERAL INFORMATION
By phone: 1-212.225.9999 | Online: repertorio.nyc

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REPERTORIO ESPAÑOL ANNOUNCES THREE SPANISH GOLDEN AGE PRODUCTIONS BY FEMALE PLAYWRIGHTS FOR THE SUMMER OF 2023, PART OF THE VAN LIER YOUNG LATINX/E DIRECTOR’S FELLOWSHIP, SPONSORED BY THE NEW YORK COMMUNITY TRUST

Spanish Golden Age Van Lier

Three young directors to stage three Spanish Golden Age (17th Century) plays – LA TRAICIÓN EN LA AMISTAD, LOS EMPEÑOS DE UNA CASA, and PRIMERO SUEÑO.

Repertorio Español is proud to announce the Van Lier Spanish Golden Age productions, which will take place from June 30th to August 6th. The three Van Lier Directing Fellows – Ana Luz Zambrana, Kathleen Capdesuñer, and James Bruenger-Arreguin will each direct a Golden Age (17th century Spanish) play as part of the requisite of the 2-year Fellowship in which they must direct one contemporary play year one, and a Golden Age play in the second and final year. This season, the fellows will present “La traición en la amistad” by María de Zayas y Sotomayor, “Los empeños de una casa” and “Primero sueño” by Sor Juana Inés De La Cruz.

Spanning the 17th century, the Spanish Golden Age marked an explosion of Baroque theatre and playwriting in Spain and Mexico with Sor Juana. Today is a vibrant reminder of the centuries-old roots of Spanish language theatre. Through the Van Lier fellows’ initiative, Ms. Zambrana, Ms. Capdesuñer, and Mr. Bruenger-Arreguin have combined their allocated resources to produce and market these productions to raise the consciousness of the significant impact that this all-too-often neglected yet integral period of literary and intellectual development.

All plays are presented in Spanish with English subtitles.

PERFORMANCE SCHEDULE

La traicion

June 30th – July 9th
LA TRAICIÓN EN LA AMISTAD
By María de Zayas y Sotomayor
Directed by Ana Luz Zambrana

María de Zayas y Sotomayor’s La traición en la amistad is the rare Golden Age play that turns traditional gender roles on their head. Centering on the complexities of female friendship, the story kicks off with a tale as old as time: Two friends who love the same man. This triangle quickly evolves into a tangled web of betrayals and deceit, which let us see how women can seduce and betray just as mercilessly as the typical “galán.”

Friday, June 30th, 8 pm
Saturday, July 1st, 8 pm
Sunday, July 3rd, 3 pm
Saturday July 8th, 8 pm
Sunday, July 9th, 3 pm


Los empeños
July 14th – July 23rd
LOS EMPEÑOS DE UNA CASA
By Sor Juana Inés de la Cruz
Directed by Kathleen Capdesuñer

Los empeños de una casa follows a group of singles as they navigate a maze of desire, temptation, and betrayal in their quest for love. Los empeños de una casa takes a modern spin on the classic 17th-century romantic farce, exploring the misadventures of love through a reality TV dating show.

Friday, July 14th, 8 pm
Saturday, July 15th, 8 pm
Sunday, July 16th, 3 pm
Saturday, July 22nd, 8 pm
Sunday, July 23rd, 3 pm


Primero sueno
July 28th – August 6th
PRIMERO SUEÑO
By Sor Juana Inés de la Cruz
Directed by James Bruenger-Arreguin

Sor Juana Ines De La Cruz’s Primero Sueño is a profound and intricate poem that is regarded as one of her most important works and a masterpiece of the Golden Age of Spanish literature. The poem delves into the depths of the human psyche and the enigmas of the cosmos through a sequence of dreamlike visions and philosophical contemplations. Primero Sueño explores themes such as knowledge, love, and the divine while reflecting on the universe’s mechanics and the human soul’s intricacies. Van Lier fellow, James Bruenger-Arreguin has adapted the poem for the stage, creating a theatrical dream that takes the audience on a journey through the universe to explore its mysteries and complexities through puppetry, dance, and language.

Friday, July 28th, 8 pm
Saturday, July 29th, 8 pm
Sunday, July 30th, 3 pm
Saturday, August 5th, 8 pm
Sunday, August 6th, 3 pm


MEET THE 2022-2023 FELLOWS

Ana Luz Zanabria

ANA LUZ ZAMBRANA
(Ella/She/Her) is a Puerto Rican actor, director, and critic. She received her BFA at UCF with a minor in Humanities, training as well at: Atlantic Co, BADA at Oxford University, and SBIFF. She is a SDC Directing Fellow, a Kennedy Center Directing Initiative alum, and a participant of Jose Solís’s BIPOC Critic Lab. She is currently a member of the “Did They Like It?” Cohort and a Latiné Musical Theatre Lab Associate. Growing up as a Boricua in South Dakota —with her media diet ranging from Rebelde to The Lizzie McGuire Movie— sparked her need to create stories that explore the diasporic experience of POC in our world.


 

Kathleen Capdesuñer
KATHLEEN CAPDESUÑER
Kathleen Capdesuñer (Ella/She/Her) is a Florida grown, immigrant raised, Cuban-American director, producer and generative artist working in theatre and film. Kathleen is a fiercely generous collaborator who leads democratized modes of creation to decolonize the current artistic canon. Kathleen is an alum of: The Roundabout Directing Fellowship, The Civilians R&D Group, MTC John Alper Directing Fellowship, The 24 Hour Plays: Nationals and McCarter Theatre Center Directing Apprenticeship. She’s also developed and directed work with: Roundabout, Atlantic Theatre Company, Yale, EST, Noor Theatre, Columbia, Teatro LATEA, Moxie Arts New York, McCarter Theatre, NYU, and internationally in the Fringe Festival circuit. www.kcapdesuner.com


 

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JAMES BRUENGER-ARREGUIN
James Bruenger-Arreguin: (Él/He/His) Born in Los Cabos, Mexico, raised in Denver, CO, James is an NYC-based Latino director and producer currently working at the Creative Development office at Disney Theatrical Group. He has worked and collaborated with the Denver Center for the Performing Arts, Theatre Aspen, The 24 Hour Plays, Southern Colorado Repertory Theatre (Associate Artistic Director). Recent Credits: Colorado Spring Fine Arts Center: Guadalupe in the Guest Room and To Slay The Dragon. SCRT: The Last Five Years (Director), Evita (Director/Choreographer) Fly By Night (Choreographer), University of the Arts: Pop The Musical Exhibition (Director), and Momentos (Director). BFA in Directing, Playwriting + Production from the University of the Arts. www.directordeteatro.com


ABOUT THE NEW YORK COMMUNITY TRUST
The New York Community Trust is dedicated to meeting the changing needs of children, youth, and families; aid in community development; improve the environment; promote health; assist people with special needs; and support education, arts, and human justice.
PRESS & CRITICS’ RSVP

GENERAL INFORMATION
By phone: 1-212.225.9999 | Online: repertorio.nyc

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PHOTOS: FIRST LOOK AT LA GOLONDRINA (THE SWALLOW) AT REPERTORIO ESPAÑOL

Golondrina 1

Guillem Clua’s LA GOLONDRINA (The Swallow) started previews on Friday, January 20, 2023, at Repertorio Español (Gramercy Arts Theater). The production’s official opening night is on Friday, January 27, at 8 pm and runs throughout the year.

Take a look at our photos below.

Inspired by the attack in a gay nightclub in Orlando where 49 people were killed, The Swallow is a highly emotional work exploring how loss can simultaneously separate and unite people. The play reflects on the loss of the many lives that continue to be stolen by attacks on the LGBTQ+ community in this country, and how we need to heal together despite our differences.

ABOUT THE PLAY: Ramón seeks the help of a strict singing teacher, Amelia, to work on his vocal technique before singing at the memorial service for his beloved mother. During an explosive evening of confessions, it becomes clear that they are not only united by music, but by their individual struggle to deal with the aftermath of a terrorist attack.

LA GOLONDRINA is directed by Ismanuel Rodríguez and starring Zulema Clares and Rafa Sánchez. The creative team includes Ismanuel Rodríguez (Lighting Design), David Chacón Perez (Scenic Design), Milton Cordero (Video Design), Fernando Then (Costume Design), Cristian Gautier (Sound Design), Patricia Marjorie (Props Design), Fernando Then (Production Manager), Tim Gutteridge (English Translation), Francisco Rivera (Assistant Director), Carlos Gallego (Texturing and Scenic Painting), and Sara Buitrago (Subtitles).

For a complete show schedule and more information, contact the theater directly at 212-225-9999, visit the box office at 138 E 27th Street NY, NY 10016, or visit repertorio.nyc.

Photo Credit: Michael Palma Mir.

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ENTREGA DE LAS MEDALLAS DE ORO Y DE LAS DISTINCIONES DE ACADÉMICOS DE HONOR DE LA ACADEMIA DE LAS ARTES ESCÉNICAS DE ESPAÑA (AAEE)

acadmicos-de-honor-de-la-academia-de-las-artes-escnicas-de-espaa

La Academia de las Artes Escénicas de España (AAEE) presenta los galardonados a las Medallas de Oro de la Academia del año 2022. Este año la Alianza de Teatros Latinos de Nueva York constituida por REPERTORIO ESPAÑOL (Spanish Theatre Repertory Co.), THALIA SPANISH THEATRE, PREGONES / PRTT (Puerto Rican Traveling Theatre), TEATRO CÍRCULO, TEATRO SEA (Sociedad Educativa de las Artes), TEATRO INTAR (International Art Theatre Relations), TEATRO IATI (Instituto Arte Teatral Internacional) y LATEA (Latin American Theater Experiment & Associates) serán distinguidos el lunes 21 de noviembre durante la cena de gala que se celebrará con dicho motivo en el hotel Wellington de Madrid. La cena estará presidida por Cayetana Guillén-Cuervo, presidenta de la Academia de las Artes Escénicas de España desde enero de 2022.

Cada año se distingue con la Medalla de Oro a las instituciones que con su trabajo y un recorrido memorable han desempeñado un papel esencial en la divulgación y práctica de las artes escénicas. Se valora el trabajo desarrollado para dignificar las artes escénicas.

Las distinciones de Académicos de Honor se conceden a profesionales del teatro de texto, teatro musical, música escénica, danza o circo que, a lo largo de su carrera, han destacado por su entrega y excelencia en sus respectivos trabajos, contribuyendo siempre a dignificar las artes escénicas dentro y fuera de nuestro país.

Estas distinciones se conceden cada año desde 2014.

SOBRE LA ACADEMIA DE LAS ARTES ESCÉNICAS DE ESPAÑA
La Academia de las Artes Escénicas de España es una entidad de carácter artístico y cultural destinada a potenciar, defender y dignificar las artes escénicas de nuestro país, a impulsar su promoción nacional e internacional, así como fomentar su progreso, desarrollo y perfeccionamiento.

INSTITUCIONES:

  • Teatro Real.
  • Festival Internacional de Teatro Clásico de Mérida (creado en 1933 con la representación de “Medea” por la actriz Margarita Xirgú. En el verano de 2022 ha celebrado su 68 edición. Desde 2012 está dirigido por el productor Jesús Cimarro).
  • Alianza de Teatros Latinos de Nueva York (constituida por nueve teatros de gestión y dirección artística de profesionales de países de habla hispana en Nueva York).
  • Mal Pelo (compañía de danza de Barcelona fundada en 1989 por Pep Ramis y María Muñoz).
  • Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública.
  • Xamfrà (Centro de Música y Escena del Raval, Barcelona, que usa la música, el teatro y la danza como herramientas de participación e inclusión social).

Así mismo se han concedido las distinciones de Académicos de Honor de la Academia de las Artes Escénicas de España de 2022 a las siguientes personalidades:

  • Julieta Serrano (actriz)
  • Aitana Sánchez-Gijón (actriz)
  • Eva Yerbabuena (bailarina y coreógrafa)
  • Ramón Barea (actor)
  • Tomás Marco (compositor. Actualmente preside la Real Academia de las Bellas Artes de San Fernando)
  • Ricardo Darín (actor)

ALLIANCE OF TEATROS LATINOS NY ALIANZA DE TEATROS LATINOS DE NUEVA YORK
(8 Organizaciones Hispanas con 9 salas de teatro: 7 en Manhattan, 1 en Bronx y 1 en Queens)

TEATRO REPERTORIO ESPAÑOL
Rafael Sánchez, Director Artístico/Ejecutivo

THALIA SPANISH THEATRE
Angel Gil Orrios, Director Artístico/Ejecutivo

PREGONES / PRTT (Puerto Rican Traveling Theatre)
Rosalba Rolón, Directora Artística
Jorge Merced, Director Artístico Asociado

TEATRO CÍRCULO
Jose Cheo Oliveras, Director Artístico

TEATRO SEA (Sociedad Educativa de las Artes)
Manuel Morán, Director Artístico

TEATRO INTAR (International Art Theatre Relations)
Louis Moreno, Director Artístico
Paul Slee Rodriguez, Director Ejecutivo

TEATRO IATI (Instituto Arte Teatral Internacional)
Winston Estévez, Director Artístico Ejecutivo
Vivian Deangelo, Directora Artística Asociada

LATEA (Latin American Theater Experiment & Associates)
Miguel Trelles, Director Artístico

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IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ

IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ
IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ
IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ
IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ
IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ
IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ
IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ
IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ
IT IS WITH PROFOUND SORROW THAT REPERTORIO ESPAÑOL ANNOUNCES THE PASSING OF ONE OF ITS MOST MEMORABLE ACTRESSES, OFELIA GONZÁLEZ

Repertorio Español is saddened to announce the passing of the actress Ofelia González at 103 years old on September 25th, in Cape Coral, Florida.  Ms. González, a resident ensemble member at Repertorio from 1973 until her retirement in 1998, is the only actress to have won an OBIE in 1992 without ever having performed in English.

Ofelia González, who won 6 Best Actress Awards in her native Cuba, rose to fame with her portrayals of Serafina Della Rosa in “The Rose Tattoo” and the Mother in “The Guns of Mother Carrar.”  In Cuban films, she appeared in “Memories of Underdevelopment” and “Tulipa.”  With her inability to live with the political situation, Ms. González left Cuba with her family in 1971, and made her New York debut in 1972 as the lead in “The House of Bernarda Alba” at INTAR.

In 1973, she joined the ensemble of Repertorio Español under the artistic direction of René Buch where she created some of her most notable roles.  Renowned for her portrayals of the Lorca matriarchs, she also excelled in long-running comedies, “Café con leche” and “Botánica.”  In 1974, she composed her most memorable role of Celestina receiving audience and critical raves throughout the United States and at the Cervantino Festival in Guanajuato, Mexico.

She created the Heartless Grandmother in Jorge Alí Triana’s premiere production of García Márquez’s “Innocent Eréndira,” and toured as the lead in “La Celestina” and Amanda in “The Glass Menagerie” during a USICA-sponsored tour of 12 Latin American capitals.

During her 25 years in the ensemble of Repertorio, she noted in a TCG 1993 article: “There is growth when you work with the same people.  You can try things and know there is a safety net.” She saw herself as a mentor for the Company’s younger members, teaching them not how to act, but to have appreciation for their craft.  “I feel that I have to teach them the responsibilities of the work, respect for the audience,” she said, “and that I must show them how that can be achieved.   In that sense, they can learn from my acting.”

Besides the OBIE and numerous ACE and other Latino awards, in 1994, she received a New York State Governor’s Arts Award.

Ofelia González is survived by her daughter, Jenny, and her granddaughters, Vivian and Betty.
The Funeral will be held at the San José Funeral Home, 250 East Fourth Avenue, Hialeah, Florida, on Tuesday, October 4th, 2022, at 11 am.

Ms. González’s papers are at the University of Miami Cuban Heritage Collection.


From The New York Times

Thomas Task, May 31, 1979: More than even these was the playing of Ofelia González as the Nurse in ‘Romeo & Juliet,’ who made every gesture meaningful and enriched every scene in which she appeared.

Richard F. Shepard, November 23, 1979: Ofelia González is a powerful, perfect Bernarda Alba projecting authority and cruelty borne of pride, yet revealingly human within the limits of her society and personality.

Richard F. Shepard, March 3, 1980: Ofelia González is La Celestina and she plays it beautifully, a woman who wheedles, laughs, fawns, rages and conspires with such skill that one never tires of watching her gestures or hearing her voice. Should Miss González ever work in English, she would be a smash for the general public, but she is no less so in Spanish.

Richard F. Shepard, July 31, 1980: Ofelia González, in the role of the mother in ‘The Glass Menagerie,’ is a powerful performer, who dominates firmly but lovingly.

Richard F. Shepard, 9/23/1984: The crusty, outspoken grandmother…is played by the company’s wonderful Ofelia González, an actress who always commands the stage in whatever she is appearing, classical or contemporary.  Miss González evinces a regal presence and runs through a range of strong emotions in one telephone call that would be a challenge for another to deal with in an entire scene.

D.J.R. Bruckner, October 6, 1988: Ofelia González can speak volumes in silence with an eye or a brow and her voice always suggests there is no such thing as an innocent remark.

D.J.R. Bruckner, May 14, 1989: Ofelia González, as Bernarda Alba, makes you believe absolutely that her character is absurd, terrifying, irresistible and pitiable all at once.

D.J.R. Bruckner, September 1,1989: Ofelia González, as the title character in ‘La Nonna,’ is the key to the comedy.  Every time the play seems to be coming too close to dangerous emotions like sorrow, compassion or indignation, she rolls on stage just a bit more imperious, and hungry, than before.

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